I saw a review of Radio Girls somewhere, and thought it was just the thing after my Infinite Jest fail and an interesting but not exactly light nonfiction read. I was right. Sarah-Jane Stratford based her novel on some real people — especially Hilda Matheson and her friends (who included Lady Nancy Astor and Vita Sackville-West) and the BBC Director General John Reith — and some fictional characters. Her heroine is the fictional Maisie Musgrave, who was born in Canada, grew up in New York, and ran away to become a WWI nurse even though she was underaged. When we meet Maisie, it’s 1926, and she is back in London after attending secretarial school in New York, and is trying to find work. Maisie is young and fairly adrift, having never known her father and never really felt any love from her mother.
She becomes a secretary at the BBC, working for both the Director General’s assistant and Hilda Matheson, who heads the Talks Department. The novel follows Maisie’s ups and downs as she discovers she doesn’t have to be mousy, she loves radio, she’s capable, and she longs to write. It’s her story, but it’s also the story of her time, and the BBC at that time, especially the development of the Talks. I enjoyed the parts about political events, especially the passage of universal suffrage and the first vote for all British women. Maisie also finds her way into a mystery that leads to a brush with spying and to a subplot about British fascists who want to take over the press. And she learns a great deal from Hilda.
In her author’s note, Stratford tells readers that many of the bits about the BBC, its inner workings and growing pains, Hilda Matheson’s accomplishments, and Reith’s actions at the helm are true. So are some of the facts about British fascists, although the story Maisie uncovers is fictional. Also true are the parts of the book about women having a hard road to advancement or even to working after marriage. Some of the plot gets a bit far fetched but it’s a fun read. I came away wanting to read more about Hilda Matheson — what a woman! — and about the BBC.
Radio Girls isn’t perfect — some of the plot is far-fetched, and some of the language is a bit stale, with characters turning “bright red” or “white” whenever they are expressing shock or anger, for example. But I really enjoyed this debut and kept thinking it would make a wonderful Masterpiece production. Maisie is a delightful character.