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Posts Tagged ‘Anna Gavalda’

I read a sequel (Stiletto, by Daniel O’Malley) this week, and in general I hate reviewing sequels, because so much of a reader’s reaction is informed by the first book (I enjoyed them both, but by design, wasn’t as blown away by the second one because the first is just so mind-blowing), and also, blog readers may not have read the first one. So, instead, here is a bit of readers’ advisory for you.

One of the librarians at my library asked for a good book to take to a lake house — something fun to read that wouldn’t require too much concentration. When I asked what kind of books she liked, we chatted a few minutes and I got the sense that she enjoys books about family relationships.

Here’s the list I gave her, which I realized just now is in no order. The book blurbs are mostly from the publishers, or book sites, and you’ll see I added my comments. I am pretty sure I’ve written about all of them on bookconscious.

Hi!

Here are a variety of recommendations:

The Beach House by Jane Green — Disregarding local gossip that pegs her as an eccentric, sixty-five-year-old Nantucket widow Nan skinny-dips in unattended pools and steals her neighbors’ flowers before her dwindling funds force her to take in boarders, a change that brings an unexpected visitor. A really summery read!

The Hollow Land and anything else by Jane Gardam — Young Harry Bateman comes from London with his family year after year to spend the summer at Light Trees Farm in the Cumbrian fells country, until he feels that it is his real home. I read this for a book club, but I love every one of Jane Gardam’s books.

How It All Began by Penelope Lively — The mugging of a retired schoolteacher on a London street has unexpected repercussions for her friends and neighbors when it inadvertently reveals an illicit love affair, leads to a business partnership, and helps an immigrant to reinvent his life. Don’t be put off by the mugging; it’s a really interesting read, because that one event sets off a whole chain of other things, but Lively focuses on the relationships, not the crime.

Left Neglected by Lisa GenovaSarah, a career-driven young mother, suffers a traumatic brain injury in a car accident that leaves her unable to perceive left-side information. The disability causes her to struggle through an uncertain recovery as she adapts to her new life. Same author as Still Alice; I was fascinated by the details about living with a brain injury, but the book is also about relationships.

The View from Penthouse B by Elinor LipmanTwo newly-single sisters, one a divorceé, the other a widow, become roommates with a handsome, gay cupcake-baker as they try to return to the dating world of lower Manhattan. Also, The Family Man — Reunited with his long-lost stepdaughter by an ex-wife’s hysterical plea for help, gay lawyer Henry Archer allows the young woman to move into his basement, where she reluctantly poses as the girlfriend of a down-on-his-luck former sitcom star. I also love her book of essays I Can’t Complain. She’s funny and wise.

French Leave by Anna Gavalda — Simon, Garance and Lola flee a family wedding that promises to be dull to visit their younger brother, Vincent, who is working as a guide at a château in the heart of the charming Tours countryside. For a few hours, they forget about kids, spouses, work and the many demands adulthood makes upon them and lose themselves in a day of laughter, teasing, and memories.

The President’s Hat by Antoine Laurain  — Dining alone in an elegant Parisian brasserie, accountant Daniel Mercier can hardly believe his eyes when President Francois Mitterrand sits down to eat at the table next to him. After the presidential party has gone, Daniel discovers that Mitterrand’s black felt hat has been left behind. Daniel decides to keep the hat as a souvenir, and as he leaves the restaurant, he begins to feel somehow different. I also loved The Red Notebook (same author) — After finding an abandoned handbag on the street, a Parisian bookseller endeavors to find its owner, the woman whose jottings he discovers in a red notebook within the bag. Both of these books are a mini trip to Paris!

The entire Mrs. Pollifax series by Dorothy Gilman – My grandmother introduced me to these, and Mrs. Pollifax is one of my favorite characters of all time. Mrs. Pollifax is a widow and senior citizen who decides one day to leave her comfortable apartment in New Brunswick, New Jersey and join the CIA. Funny, thoughtful, and absolutely charming books. The first is called The Unexpected Mrs. Pollifax.

The Borrower by Rebecca Makkai — Lucy Hull, a young children’s librarian in Hannibal, Missouri, finds herself both kidnapper and kidnapped when her favorite patron, ten-year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy’s help to smuggle books past his overbearing mother, who has enrolled Ian in weekly anti-gay classes. I could overlook the somewhat improbable plot because the heroine is a librarian and favorite childhood books are an important part of the story.

The Last Policeman trilogy by Ben Winters – In the first book, which is set in Concord (the hero even goes to the Concord Public Library!), Earth is doomed by an imminent and unavoidable asteroid collision. Homicide detective Hank Palace considers the worth of his job in a world destined to end in six months and investigates a suspicious suicide that nobody else cares about. This series is fantastic, and I don’t usually like mysteries or pre-apocalyptic books. The author won both the Edgar and the Philip K. Dick awards, he’s funny and smart and so are his books.

The Guernsey Literary and Potato Peel Pie Society Annie Barrows and Mary Ann Shaffer— In 1946, as England emerges from the shadow of World War II, writer Juliet Ashton finds inspiration for her next book in her correspondence with a native of Guernsey and his eccentric friends, who tell her about their island, the books they love, German occupation, and the Guernsey Literary and Potato Peel Pie Society, a book club born as an alibi during German occupation. If you didn’t read it when it came out, it’s a lovely book.

Major Pettigrew’s Last Stand by Helen Simonson — Forced to confront the realities of life in the 21st century when he falls in love with widowed Pakistani descendant Mrs. Ali, a retired Major Pettigrew finds the relationship challenged by local prejudices that view Mrs. Ali, a Cambridge native, as a perpetual foreigner. Really good characters and a light touch, even though it’s a book about serious issues.

All Together Now by Gill Hornby —  When their singing coach dies unexpectedly before a big contest, a motley group of singers ina community choir from a small English village must overcome their respective challenges if they are ever going to succeed. Again, how could a book about a small town fading be so much fun? The characters.

How to Be Good by Nick Hornby — Katie, a liberal, urban mother and doctor from North London, finds her life turned upside down when her husband, David, undergoes an outrageous spiritual transformation, in a hilarious novel about marriage, parenthood, religion, and morality. I love Nick Hornby; his charactars are funny and real.  I also loved High Fidelity — Follows the love affairs and belated growing up of a “Generation X” pop music fanatic and record store owner.

If you like nonfiction, both Calvin Trillin (I just recently read Travels With Alice, about vacations he took with his wife and kids; he’s hilarious) and Bill Bryson are fun and quick to read.

That’s probably too many books! But I wanted you to have options if some of these are not available.

 Enjoy!

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Many of the books I read this month are about people who are actually a little bit happy being miserable. I think we all know people like that; we may all be somewhat prone to this. Sometimes lamenting life’s little annoyances feels good, and reading about someone else’s gripes can be very amusing. More on this in a moment.

I read a little less this month in part because I was writing more. Yesterday I “won” NaNoWriMo by finishing a novel of just over 50,000 words, written entirely in November. You can learn more about this crazy endeavor at The Nocturnal Librarian.  I also have a new obsession: zentangle.

My interest is zentangling caused me to request The Mandala Book: Patterns of the Universe by Lori Bailey Cunningham, on interlibrary loan.  This is one of those books that really excited the life learner in me. It full of gorgeous photos of all kinds of designs that occur naturally: shapes, mathematical patterns, branching, and more. Brief essays expand on the ideas presented in the photos. I really enjoyed the way Cunningham joins math, science, spirituality, and aesthetics to celebrate the beauty and mystery of our world. And I found inspiration for tangling!

Next, another book that isn’t about my proposed theme of enjoying a good gripe. It’s a book by an author I’ve mentioned on bookconscious before: David Rubel. His new picture book, The Carpenter’s Gift got a nice shout-out in the New York Times book review’s children’s holiday issue. David sent me a copy and I absolutely adore it — it will have a place of honor among my growing collection of holiday reads.

The Carpenter’s Gift tells the story of a little boy, Henry, who goes with his father to sell Christmas trees in New York City in 1931.  At the end of the day, they give away the leftover trees to some construction workers who’d helped them set up. They decorate the tallest of the trees at the site — Rockefeller Center. Henry makes a wish for a warm house to live in, and takes a pine cone from the tree home with him.

The construction workers turn up the next day with some extra wood and offer to build the struggling family a home. Henry helps a bit and is thrilled to have a warm place to live. When his parents throw a party to thank the men, Frank, the man who helped with the Christmas trees, gives Henry a hammer. Henry plants his pine cone and treasures the gift.

Flash forward, Henry has grown up, his tree is enormous, and along comes a man looking for a Christmas tree for Rockefeller Center. What seals the deal is that the man tells him the tree will be made into lumber for a house for a family in need — built by Habitat for Humanity. When the now gray-haired Henry attends the tree lighting, he sees a little girl picking up a pinecone from his tree.

Henry has the chance to complete the circle and share a very special gift. What? Did you think I was going to tell you the whole story? You’ll have to go get the book and find out what happens.

The story and its lovely illustrations by Jim LaMarche are perfect for curling up on a December evening and reading with a child. I love that the book incorporates history, holiday traditions, and the spirit of giving that can tranform this season into more than just making merry.

David also subtly touches on Habitat’s mission, which is to partner with people in need of decent housing (Habitat homeowners help build their own homes) and to bring people together to eradicate poverty housing. The impact of Habitat’s work is not only to build houses but to “transform the lives of volunteers,” as Rubel writes in the afterword, and his story really shows how that happens.

One more book before I get to the love of misery. Cinnamon Press, a terrific indie publisher in the UK, sent me Migrations by Anne Cluysenaar to review. Migrations is a collection of poems that are insightful, thoughtful,veined with wisdom, and also well crafted. Cluysenaar writes not only of human experience with feeling and skill, but also of human and natural history, literature, and philosophy.

The musical language in “Eels,” a poem in the section called “On the Farm,” is lovely, with interesting letter combinations such as the “gl” and “sh” along with “o” sounds as in the first stanza: “Glasseels, that in open ocean/passed for glints or ripples,/nose into rainflow freshness./Their gills flush crimson.” This reminded me of Seamus Heaney’s lilting poems.

“Through Time” is a series of poems that evoke the wonder of geological time and our human awe of it, and the poems’ shapes are jagged-edged like the shorelines, causeways, quarries, stream beds, shear zones, valleys, and other features Cluysenaar explores. She muses on things such as tiny prehistoric creatures who left “. . . delicate pale arabesques/on the stones at my feet” noting, “This was all beyond my/reach this flow –/independent ongoing life,/things quite unknown,/unconscious minds/feeding from tide to tide,/doodling grey stone.” There’s something almost liturgical in this language, and I love the image of an ancient chain of life leading to a person walking along the shore.

“Clay” is a long poem inspired by the Epic of Gilgamesh and by the author’s discovery that an ancestress of hers lived 10,000 years ago in what is now Syria. The poem alternates between the ancient and the remembered present, as in this passage reflecting on a young scribe marking a clay tablet: “But what if he knows we’ll look down/on that river (still flowing), our steps/and our thoughts, like his, still restless?/I see his young hand, ghostly,/making strokes for the word life –/life that enforces a journey./My own, typing the word./Text upon text upon text./And thoughts’ unwriteable palimpset.” Shivery stuff, that ancient hand writing alongside today’s poet.

“As a wind or an echo rebounds,” a poem whose title is taken from Plato’s Phaedrus, is shorter but still a few pages long. It is a very poignant reflection on the death of a loved one: “. . . the terror/of love about to flow between us.”

The final section of the book, “Migrations,” joins poems which reflect that theme but are varied in subject matter, point of view, and setting. I particularly enjoyed “Late-night London. The Tube” which describes a singing panhandler, “It was a round bin, strapped,” about a sort of drop box for books traded between the narrator and a homeless person who annotates the margins. “No I can’t remember his words,” “Waiting for tests,” “Mere canvas – flat, timeless,” and “A metaphor for this earth” are also particularly strong, lovely poems.

One more in this final section actually made me squirm: “Soft as water, my finger-tips,”about a salmon’s experience as someone lifts it out of a stream, is so evocative that I felt as if I was experiencing what the fish was: “. . . the air clasps round,/harsh with heat, the floating/surface below him broken,/ no water to breathe, nothing/against which to brace his fins.”

Cinnamon Press is an independent source of original voices and fresh talent in a world in which large publishers’ marketing and sales departments often determine what the public reads. You can’t go wrong with any of their high quality titles, and I recommend Migrations wholeheartedly.

Ok, on to the griping already! First, a book I really didn’t enjoy. I almost never blog about books I didn’t like, but this one got so much hype when it came out that I am going to do a bit of complaining myself and ask: what is the appeal of Loving Frank?

As I told the Hooksett Library Book Club, which discussed the novel in October, I am willing to have an open mind and try to appreciate a novel that is either about people I don’t particularly like or a story I’m not drawn into, but not both. I’d argue that a novelist has to convince readers to get behind either the characters or what happens to them, or ideally, both. But in this case, I got all the way to the end without caring about either the characters or the plot. I wished I’d followed Teen the Younger’s advice to quit reading a book that isn’t appealing.

Rant over. On to the better kind of griping, that of writers who are perceptive and funny as they whinge. First up, Another Bad-Dog Book by Joni B. Cole. I laughed out loud throughout this warm and endearingly grumpy essay collection. I’ve mentioned before that I get a kick out of books that make me wish I could sit down and have a cup of tea with the author. This one makes me want to sit down and share a bottle of wine and swap favorite Kate Middleton style blogs with the author.

Cole wouldn’t think less of me for ogling royal fashions. And, she is a hilarious griper. She sends up not only her family and friends and herself, but also all the many things that comprise “neurotic human behavior” as her subtitle says. But these essays aren’t just about self-deprecating humor or skewering the crazy things she observes.

Cole’s insights are thoughtful, bittersweet, and intelligent. She is not preachy or didactic, and she’s kind, even when she writes about things that make her miserable.  She writes about experiences many people can identify with: feeling insecure about one’s looks or at a professional conference, dealing with illness or caring for aging parents, parenting, finding out an old friend on Facebook is a ranting nut-case, facing one’s own foibles. This was a delightful read, one that made me tear up at least once (see if you can read “Oh, Didn’t I Tell You?” without reaching for a tissue)  in addition to laughing out loud.

Here’s an example of Cole at her best, writing about her best friend in college: “Jeff always said I was the funniest girl I knew, and so I was funny. After he told me he was gay, he assumed I was a decent human being, and so I decided to act like one.” Coming out in the 80’s, even to a friend, was risky, and her friend saw the best in her. You will too as you laugh along with Cole and enjoy her wisdom and sharp wit.

I’m getting close to my goal of reading fourteen Europa Editions books by the end of 2011 for the Europa Challenge. In November I read another short story collection by Eric-Emannuel Schmitt, The Most Beautiful Book in the World. I read Concerto to the Memory of an Angel earlier this year.

Schmitt’s stories are full of grumpy people who serve as foils for the grateful human beings who bring his themes to fruition.  And I think his theme in The Most Beautiful Book In the World is that what we humans spend an awful lot of time yearning for what we actually already have.  If we’d quit complaining and look around, we’d see it. Miserable people aren’t very mindful, but in Schmitt’s hands they are generally entertaining.

My favorite stories in this collection include: “The Intruder,” which is just heartbreaking; “The Barefoot Princess,” ditto; “Odette Toulemonde,” which the author adapted from his film of the same name; “The Forgery,” which kept me guessing; and the title story, about a gift women in a gulag make for their daughters.

Schmitt endears and amuses, his characters stumble and fumble and delude themselves but nearly every tale includes redemption or realization as well. A few stories aren’t about people who are miserable out of habit or character but really have an illness or other trauma. Even those are hopeful. I thoroughly enjoyed the book and look forward to another Schmitt collection in my “to read” pile: The Woman With the Bouquet.

Another Europa editions book I read in November was Tokyo Fiancee by Amelie Nothomb.  This is a quirky short novel about a Belgian girl who becomes engaged to a Japanese boy while living in Tokyo. It touches on the oddities (to Westerners) of Japanese culture, the formalities and rules which dictate social and even family life there, and the strangeness of being an ex-pat.

The girl, also named Amelie, enjoys the boy’s attentions and his romantic, almost chivalrous delight in her, but doesn’t really want to get married. In the middle of a lot of romantic wooing, the book veers into a touch of magical realism in two separate mountain scenes. I won’t spoil it but I will say I found it slightly confusing and wasn’t always clear on why Amelie was miserable.

She’s not a loveable protagonist but in this case, that didn’t ruin the book for me. Because she’s young and somewhat impetuous, I could believe the story; one thing that confused me is that while this is fiction, the main character not only shares the author’s name, but also bits of her biography. Both are Belgian but born in Japan, and at the end of the book Amelie flies to Japan for a book tour for what was Amelie Nothomb’s first novel.

So is this autobiography, fiction, or some hybrid thereof? Does it matter? It kind of did to me — somehow it would be different if a real person had the experiences Amelie did. On the other hand, I had heard the ending would surprise and it didn’t. To me it seemed that Amelie did exactly what the book had been leading her to do.

So, I enjoyed this strange little novel on the whole, but was left wondering what I’d just read.  Except that this book was about someone who was miserable being happy in the conventional boy-meets-girl-they-fall-in-love sense. But ends up happy all the same. Got it?

I’d been waiting for French Leave by Anna Gavalda, also from Europa Editions, to be available on interlibrary loan. This was a quick read, sweet and funny and True, in that Gavalda really captured soemthing of the essence of being human. It’s the story of adult siblings who play hooky from a family wedding and visit their brother who wasn’t able to attend.

They spend the day and night remembering together (and I love how they don’t all remember childhood the same way, which is one of those little details that rings so true to life), hanging out, being silly, leaving their relationships, work, and responsibilities behind. I really enjoyed this book about letting the cares of the world go and being a family.

The family dynamics, the tensions and dramas, are finely rendered.  It’s a touching read. It’s pitch perfect — I could picture Garance, the sibling who tells the story, as she spoke, young, a little bit wild and flip, messy but pretty. Carine, the sister-in-law, is a classic I’m-not-happy-unless-I’m-miserable type who badgers everyone around her. And, there is a loveable stray mutt who plays a role in the story — making a furry friend is always a good way to leave your troubles behind.

I’m now reading the Gerald Samper books by James Hamilton-Paterson (all three are from Europa). I read Cooking With Fernet Branca last weekend and laughed aloud.  I’m about halfway through Amazing Disgrace and am wondering exactly where our hapless hero is going to end up next.

Gerald Samper is a British ex-pat author of sports biographies. He lives on a hill in Tuscany where he creates foul sounding gourmet dishes he is inordinately proud of, and sings opera (again a point of great pride) very badly.  He is forever grousing about his Voynovian neighbor Marta, who turns out to be a composer who parodies his yowling, and complaining heartily about the narcissistic, vapid subjects of his biographies.

Samper loves himself and loves to complain, and he’s the perfect male lead for these farces.  In the first book, he blames Marta for making him drink Fernet Branca, a strong Italian liqueur, but in her chapters, she blames him.  Their back and forth, including a wacky scene in which Samper nails himself to the fence he is trying to build between their properties, and their parallel struggles with their creative work and the crazy people they have to deal with are hilarious.

The minor characters in Cooking With Fernet Branca include a great Italian film director who seems a little loopy, his sports car driving son, a fast-talking realtor, Marta’s Voynovian family members, including a brother who lands an attack helicopter on her hillside, and the leader of a “boy band” who visits Samper and turns out to believe in UFO’s. Hamilton-Paterson is that perfect combination: avery good writer who also does comedy well, and I am really enjoying these books.

Teen the Younger read The Invention of Hugo Cabret by Brian Selznik last month, after seeing Martin Scorsese on The Daily Show. We hope to catch the film soon. She really liked the illustrations, and said she found the story interesting and liked how it all fit together. She is also reading The Complete Sherlock Holmes and must be enjoying it, since as we’ve discussed, she doesn’t finish books she doesn’t like.

I’m hoping to finish the Gerald Samper books (after Amazing Disgrace comes Rancid Pansies) and the other Schmitt story collection, and I have the next Hooksett Book Club selection out from the library (Major Pettigrew’s Last Stand, which I’ve read and loved). I hope to reduce the piles beside my bed to perhaps one small stack over the holidays. Don’t I say that every month?

But meanwhile, I am trying to slow down in advent while also preparing for the holidays. So, I hope to reduce my griping (and my to-do lists) with literary humor and wisdom and find happiness even in the life’s aggravations. Like a woodpecker destroying the siding on the back wall of our house. We humans like to gripe, but we also like to laugh. I hope you find stories that offer both in the coming month.

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