It’s been a couple of weeks since my last post and I’m still thinking about Sing, Unburied, Sing. In between I read a book for Kirkus. Along the way I was reading a little bit of The Power, by Naomi Alderman, before bed, but not much — I’ve been pouring it on in terms of coursework for my science communication and public engagement program, we went to see the former Teen the Elder, now a postulant for holy orders in the Episcopal Church, at Yale Divinity School, and last weekend the Computer Scientist and I caught some exhibits at the Isabella Stewart Gardner Museum and MFA, so I’ve been busy.
But last night the university where I work called a snow day for today earlier than usual — by 9pm, after letting us go home at 3 in heavily falling snow — so I stayed up late and finished The Power. It definitely deserved a longer reading and I enjoyed finishing it. I’ve been sitting with how I felt about it all day, and I’m still not entirely sure. First let’s get out of the way that I think it’s well written and compelling — deserving of the accolades (it won the Bailey’s Women’s Prize, was named by NYT as one of the ten best books of 2017, and was on President’ Obama’s favorite reads of 2017 list, among others).
Second, I should apologize in advance to my bookclub, because we were trying to pick a more uplifting read, and somehow this came up in my research as that, and it’s not. Yes, it imagines what the world would be like if run by women. But the results are pretty chaotic much of the time, and pretty ugly some of the time, because it turns out it’s not being male that makes people with power assholes, it’s power. That’s my greatly simplified summary of this novel.
Still, it’s an incredibly relevant thought experiment, and I found three of the main characters, Mother Eve/Allie, Roxy, and Tunde, equally fascinating in their way. The structure of the novel is also very intriguing and made the ending rather breathtaking, to me. The opening and closing pages of the book are correspondence between a male novelist and a woman he asks to read his draft of The Power, which he refers to as a historical novel. All we really know about these people is that they live thousands of years after the events of his novel.
So why do I have mixed feelings if I was blown away? Maybe the premise of the book, which seems to be that there will always be a gendered power imbalance even if it doesn’t look like our norms, is more than is easily digested with all that is currently going on in the world? Maybe it’s a truth I find too troubling to embrace? Maybe I just need more time?
I’m realizing I’ve given you very little to go on in this review — it’s speculative fiction, set in times that seem very similar to our own, and imagines that women have something called “the power” which is physiological, cause unknown, girls are born with it and can help older women realize they have it and wake it up, and is kind of like electricity. The realization that this is happening causes massive changes around the world, and the book centers on how it changes religion, political influence and military power, and social dynamics. I look forward to the book club discussion, which always brings me more insight into any book.
Speaking of which, I’ve been meaning to ask my blog readers — what is a book your book club really enjoyed reading and discussing recently? If it’s got a hopeful or uplifting theme, all the better, but anything that led to a great discussion is welcome. Leave a comment and let me know!
Last Orders by Graham Swift
Posted in Uncategorized, tagged blogging, book buying, book reviews, death, England, fiction, Graham Swift, Last Orders, London, men in fiction, novels, post-war, re-reading, reading, social commentary, WWII on June 14, 2018| Leave a Comment »
I was at a coffee shop/used bookstore yesterday, picked up Graham Swift‘s Last Orders from a sale cart, and thought it sounded like a good read, sort of a male version of the kind of English social novel I like. When I got home and looked through it more closely I realized I’ve read it before, although a quick search of bookconscious seems to indicate I read it before I started the blog, so prior to 2007. I decided I’d read it anyway, and I’m glad I did. Re-reading is something I don’t do often, but have intended to do from time to time. Like during a week when I have a lot of time to read.
Last Orders is about a butcher, Jack Dodds, and the men (and a few women) in his life, in Bermondsey, London. Although not the hip, White Cube Bermondsey of today; it never says exactly, but I think the book is set in the late 80’s, because four of the men, including Jack, are WWII veterans. When the book opens, Jack’s friends and Vince, the man he raised as his son after his family was killed by a bomb, are gathered in their pub, preparing to carrying out Jack’s final wish: that they spread his ashes in the sea at Margate.
The main arc of the story takes place all on that day, with different sections looking back on the men’s lives at different ages. We hear about their wives and daughters, and Jack’s widow, Amy, and Vince’s wife, Mandy, tell bits of their own stories, but most of the book is about and from the perspective of the men. It’s one of those books where most of what’s important to the character’s lives happened earlier, but the events of the book are a kind of climax, emotionally, in their lives.
It’s a lovely book, about long friendship, love, disappointment, unfulfilled dreams, finding what you’re good at, living your life as best you can. There aren’t a lot of novels that go into the emotional lives of men, I think, or else I don’t usually read those. Here’s a bit from a scene when Jack’s in the hospital, and he’s asked to see Vince, who has been thinking that even unwell there is something about the way Jack looks, “. . . it only makes the main thing show through better, like someone’s turned on a little light inside.” As they sit there together, Vince goes on thinking:
“He looks right into my face like he’s looking for a little light too, like he’s looking for his own face in mine, and it goes right through me, like I’m hollow, like I’m empty, that I haven’t got his eyes, his voice, his bones, his way of holding his jaw and looking straight at you without so much as a bleeding blink. . . . It’s like I’m not real, I ain’t ever been real. But Jack’s real, he’s realler than every. Though he ain’t going to be real much longer.”
So, I re-read, no regrets — although I have loads of books I haven’t read yet, I’m really glad I re-visited this one. Chime in and let me know: do you re-read? How often? How do you decide what gets a second read or more? I’ve heard of some people re-reading a particular favorite annually. The Computer Scientist used to read The Stand every time he was sick. I’m looking forward to hearing your thoughts on this.
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