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My experiment with reading only (or at least mainly) Europa Editions books til the end of the year might continue — after the last book I wasn’t so sure — because The Flight of the Maidens was the kind of terrific read I hoped for. Of course, I cheated because I knew if Jane Gardam wrote it, I’d love it. This is another book Gardam published quite some time ago but reissued. It’s set in 1946 and tells the story of the summer before three young women head to college — all having won scholarships, all set to leave their small Yorkshire town for a world they know little about, mainly because of the war.

Una Vane is the daughter of a widow who opened a hair salon in the house when she had to manage on her own. Una is off to Cambridge to study physics, but she wants to spend her summer trying to understand her relationship with Ray, who grew up in a poorer part of town and is now a railroad man dabbling in socialist politics. Hetty Fallows is off to a guesthouse in the Lakes District to try to read everything she thinks she hasn’t read before she goes off to college in London. Her father, a gentleman before WWI left him shocked, is a gravedigger and her mother is overbearing and flirts with both the vicar and Hetty’s first boyfriend. And Liselotte Klein, who grew up the foster child of Quakers, spends the summer before she starts at Cambridge piecing together her identity. She can’t recall much about Hamburg, and she knows nothing of how her Jewish family fared and whether any of the rest of them got out. She lands with a mysterious elderly couple in London and then with a distant aunt on the California coast, trying to understand her past so she can decide on her future.

The three friends — Una and Hetty since childhood, Liselotte since they all began to apply themselves to getting into college — go through the pangs of leaving school and starting adult life, along with the challenges of adapting to the postwar world.They have very different experiences but are all in flight, as Gardam imagines. As they struggle to reconcile what they know with what’s in the world and with the hopes they have for themselves and others have for them, the three girls teeter on the edge of womanhood with all the people they know rallying around them to one extent or another. The presence of these people, both dear to them and maddening, provides insights into all kinds of detail about England in the 1940s.

Gardam’s ability to bring people so fully to life, in such vivid detail, never fails to delight. Such vivid people and dialogue — more than many of her books, I could imagine this as a film. I hope it becomes one. Anyway, a terrific read about the end of childhood, the beginning of growing up, the challenge of recovering from war for those in it and near it, the carrying on so many people do when their lives aren’t full of great achievements but they hope their children’s will be. I’m sad that I seem to be all caught up on Gardam’s reissues now.

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