So many stories

As I prepared to write my first post of 2012, I thought I hadn’t read much in December; I was too busy, surely? I returned to Gibson’s Bookstore as a holiday bookseller, continued working as a nocturnal reference librarian, did all the usual holiday prep, enjoyed time with Teen the Elder home from England. Plus, we hosted my brother for a visit, had a couple of dinners with friends, and celebrated the holidays and our anniversary.

Somehow, I read ten books as well. I can chalk that up in part to the lack of reference questions at the end of the term at the college where I work. I got a lot of reading done in between answering questions about printers and flash drives.

One notable thing about my December reading was that of the ten books, half were short story collections, and another was an art book with very short essays. These were the perfect books for a month when my “to-do” lists were always in flux and there seemed to be more to bake, cook, or prepare every day.

I’ve always enjoyed short fiction and essays for the same reason I love short forms of poetry.  It’s very satisfying to read a work that is beautiful and complex but also compact, completing the work of convincing the reader of its merits with fewer words.  I like a nice thick novel, an exhaustive work of nonfiction, or a meaty epic poem. But the shorter forms never fail to impress me more for working so well within their structural limitations.

I confess, another reason I focused on short stories in December was my sheepish realization that there were still a few of last Christmas’s gift books in my “to read” pile. Among those were three of the four books of Ox-Tales. I read and reviewed Earth last January. In December I read Air, Fire, and Water. These collections are original stories or excerpts from longer work- in-progress from well known writers, commissioned to benefit Oxfam’s development work.

In Air, I especially enjoyed “Still Life” by Alexander McCall Smith, about a woman living in a remote home on a loch in the Scottish Highlands and her encounter with one of the vistors who comes to hunt there; “Suddenly Dr. Cox” by DBC Pierre, about a drifter in Trinidad and his remarkable life; and “The Desert Torso” by Kamila Shamsie, about a man smuggling a Buddha statue through the Pakistani desert to India, and how the experience impacts him.

My favorite story in Air is “Goodnight Children Everywhere” by Beryl Bainbridge, about a boy who finds himself drawn to an old radio in his grandmother’s house. As the story proceeds, readers discover the radio is playing a jumble of old and current broadcasts. I loved the mysterious twists in this brief tale, and the dramatic ending.

In Water, I liked David Park‘s “Crossing the River,” a modern Styx story; William Boyd‘s humorous and touching story of a young actress and the crazy film set where she’s working, “Bethany-Next-the-Sea;” Joanna Trollope‘s “The Piano Man,” because I just love her writing; and Michael Morpurgo‘s “Look at Me, I Need a Smile,” which drew me in despite the fact that I didn’t want to like a story about a boy whose soldier dad has died, and who is about to be caught up in another tragedy.

My favorites in Fire were Geoff Dyer‘s “Playing With, which is a slight but deeply philosophical story about the choices we make and the possibly random outcomes they generate; John LeCarre‘s brilliant political fable, “The King Who Never Spoke;” and Ali Smith‘s marvelous story “Last,” a lovely piece whose protagonist is fascinated with words. More on Smith’s latest novel shortly.

When “Last” opens, we read, the main character’s thoughts are bleak:  “I had reached the end of my tether.” But after a strange experience helping a wheelchair bound woman on an empty train,”I felt myself become substantial.” In between she notes, “and now, background-murmuring through my head again, for the first time in ages, was a welcome sound, the sound of the long thin never-ending-seeming rolling-stock of words, the sound of life and industry, word after word after word coupled to each other by tough iron joists, travelling from the past through the present to the future like rolling stones that gather moss after all.” Sounds to me like the feeling a writer has after a dry spell.

The New Yorker Stories is a much larger collection, 500 pages, and it includes stories Ann Beattie published in The New Yorker from 1974 to 2006.  While I’d read a few of her pieces in the magazine from time to time, it was interesting to read such a dense collection.  Reading work from different decades on the same themes, a sort of fictional cultural history of America unfolds.

Beattie tinkers with the same subjects over and over but every story is unique. She writes mostly of relationships — marriage and friendship, love and family.  Her characters are often overcoming something — war wounds, divorce, addiction, disappointment, estrangement and loss. Some of the best pieces include a child’s perspective on the strange world of adult interactions.

Beattie manages to make each short piece highly specific and polished, transporting readers with myriad sensory details, descriptions of meals, weather, sounds, rooms. And she weaves in details that place the stories in specific times and locations.  I admire her skill — she’s an amazingly effective writer, and every story is deft and impactful. But the stories themselves are a stark reminder of human flaws.  Read in such quantity they left me feeling somewhat haunted.

Another book full of sensory detail and human flaws that really carried me away was  Comfort and Joy by India Knight. At first glance it’s a light chick-lit kind of book; a quick, fun, seasonal read. But I found it entertaining and sneakily wise. And I was left very much wanting to be friends with the main character, Clara.

Telling the story of three Christmas’s (and flashing back to some childhood ones) at Clara’s, Knight explores what holds family and friends together and why Christmas seems to bring out all the longings people have the rest of the year.  She peppers the story with very funny, very spot-on observations about relationships, friendships,and dealing with life’s ups and downs.

Speaking of funny, I also read the third Gerald Samper book by James Hamilton-Paterson, Rancid Pansies. This one seemed as if it wasn’t going to be so funny when it opened — Gerald is living in England with friends, recovering from the loss of his Italian home in an earthquake. After getting good news about the sale of film rights for his last book, he prepares one of his horrid (and horrifying) gourmet conconctions for a dinner party and ends up inadvertantly poisoning the guests.

Shamed and distressed, he returns to Italy, along the way deciding his next project will be to write the libretto for an opera about Princess Diana. Whose name can be anagrammed into Rancid Pansies. His old neighbor Marta is back (her disappearance in the previous novel, Amazing Disgrace, was due to a gig writing a movie score in Hollywood) and agrees to write the opera’s music. Several other characters from the earlier books appear as the hilarious plot unfolds.

I thought this was the most satisfying plot of the three Samper novels, again a  farce, but with a tighter story line that really moved along.  It may also have been the funniest, although I thought Cooking With Fernet Branca and Amazing Disgrace were also very funny. The scene in which Gerald has a cameo in the opening night of the opera playing Prince Phillip had me laughing out loud.  And wishing the BBC would produce a  mini series if they haven’t already.

The Samper trilogy were from Europa Editions, and was the thirteenth book in my 2011 Europa Challenge.  I was going for fourteen, which was the Ami level.  I reached my goal with another story collection, The Woman With the Bouquet by Eric-Emmanuel Schmitt. I liked the first story in the book, “The Dreamer of Ostend,” a love story with a mystery, in which the narrator isn’t sure what’s real and what’s fiction.  And the title piece, which tells the story of a nurse who blossoms into her true self only after a blind patient convinces her she is beautiful.

For the 2012 Europa Challenge I’m aiming for Cafe Luongo Level, which means reading twelve Europa Editions.  I have my first of the year, Margherita Dolce Vita by Stefano Benni, checked out of the library and am looking forward to getting started.

Speaking of libraries, last January I had the pleasure of visiting the Library of Congress when I attended the ABA Winter Institute. It was a quick visit, but absolutely delightful. Last summer I visited the LOC mobile exhibit when it came to Concord.

For Christmas I received On These Walls: Inscriptions & Quotations in the Library of Congress, by John Cole, from my brother-in-law and sister-in-law and our nieces and nephew. I spent some time on Christmas evening reading it.  If you don’t live near the LOC, this is the armchair tour for you. It’s a beautiful book and brief essays give readers an overview of the library’s history, art, and architecture as well as its awesome mission. Cole is the founding director of the Center for the Book at the LOC.

It’s been awhile since I’ve had time to read a book in one sitting, but the last Sunday of the semester was exceptionally slow at the library, and I saw There But for the on the new book shelf. I’d just read a review in The Atlantic so I decided to give it a try. By the end of my five hour shift, I’d read the entire thing, which is a very satisfying way to read.  If I had my druthers, I’d read more novels that way.

Smith presents a funny and also disturbing problem: a man in Greenwich, England who is the guest of a guest at a dinner party excuses himself from the table. He goes into a spare bedroom and never comes out. Months go by, and he is lauded as some kind of prophetic folk hero by crowds who gather outside.

Each part of the book is told by four people from the party who knew the man just a little bit. As it turns out, each knows something that adds to what the reader has already learned so that by the end of the book things are less murky.

My favorite of the four guests is a precocious ten year old girl who is smart but lonely, and more comfortable among adults and inside her own inner world than other children. She manages to slip in and out among the other characters, thereby helping the reader tie things together. But all of the sections are marvelous and I really enjoyed the way Smith wove history, science, philosophy, and social commentary into the novel.

Watching each person involved in the drama react, and also seeing how society responds to the man in the room, I thought about how we all see and remember things from a slightly different angle. It’s an idea I enjoyed playing with as I read, that all the little interactions a person has in the world leave scraps of perception that together make up a kind of mosaic view. In fact, it was a book that led to a lengthy musing afterwards, another sign of an excellent read.

What’s time? How does it pass and how do we mark it? What do we fill it with? How do we impact each other by what we remember and forget? How do we miss, or see, the intersections of our lives with others?  And what can result from even the most minor encounter with another person? Is it possible to be truly alone in this world, or are even people who close themselves off connected somehow with others, whether they want to be or not? These are the things I wondered as I read There But for the and as I drove home that evening.  Heavenly, to have a book for company.

And to share books with the company you most love to keep. Both Teen the Younger and I finished The Invention of Hugo Cabret in December, intending to go see Hugo, which we haven’t done yet. I liked it very much, mostly because of the way Brian Selznik weaves history and magic into the story but also because of the interesting intersection of art and story — it’s not a graphic novel, it’s not a picture book, it’s kind of a category of its own.

As I wrote last month, Teen the Younger liked the art.  Since we both enjoyed it so much, I bought Brian Selznik’s new book, Wonderstruck, which is in our to-read piles.  She also read a new Gakuen Alice manga.

Teen the Elder read Inheritance, the fourth book in the Inheritance Cycle by Christopher Paolini. He enjoyed it very much. He says Paolini finished the story very well, and “dragons kick ass.”  What can I say, he’s an adult now. He has a pile of books to take back to England with him, so perhaps from time to time I’ll mention what he’s reading. Over the first term there he re-read The Hobbit and all three Lord of the Rings books, which are his favorite books ever (so far).

The Computer Scientist got some books for Christmas but December is one of the two busiest months of the year for him, especially the final week of the year when everyone is making charitable donations.  So he has an even taller to-read pile.

What’s up for me? I have a few books out of the library and I plan to peruse my other piles. Last night I told the Computer Scientist we need to move to a remote location without a bookstore or library for a year, so that I could read all the books I’ve been meaning to get to without distraction from new titles or shelf browsing.

Since the week before Christmas, I’ve hardly had time to read anything. I started two books that I didn’t care for, and following the wise counsel of Teen the Younger, abandoned them. Hopefully I’ll settle into something good soon. In 2012 I hope to continue reading the Hooksett Book Club selections as well, so I’m now reading the January title, The Autobiography of Miss Jane Pittman by Ernest Gaines. What are you reading?

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Happy being miserable?

Many of the books I read this month are about people who are actually a little bit happy being miserable. I think we all know people like that; we may all be somewhat prone to this. Sometimes lamenting life’s little annoyances feels good, and reading about someone else’s gripes can be very amusing. More on this in a moment.

I read a little less this month in part because I was writing more. Yesterday I “won” NaNoWriMo by finishing a novel of just over 50,000 words, written entirely in November. You can learn more about this crazy endeavor at The Nocturnal Librarian.  I also have a new obsession: zentangle.

My interest is zentangling caused me to request The Mandala Book: Patterns of the Universe by Lori Bailey Cunningham, on interlibrary loan.  This is one of those books that really excited the life learner in me. It full of gorgeous photos of all kinds of designs that occur naturally: shapes, mathematical patterns, branching, and more. Brief essays expand on the ideas presented in the photos. I really enjoyed the way Cunningham joins math, science, spirituality, and aesthetics to celebrate the beauty and mystery of our world. And I found inspiration for tangling!

Next, another book that isn’t about my proposed theme of enjoying a good gripe. It’s a book by an author I’ve mentioned on bookconscious before: David Rubel. His new picture book, The Carpenter’s Gift got a nice shout-out in the New York Times book review’s children’s holiday issue. David sent me a copy and I absolutely adore it — it will have a place of honor among my growing collection of holiday reads.

The Carpenter’s Gift tells the story of a little boy, Henry, who goes with his father to sell Christmas trees in New York City in 1931.  At the end of the day, they give away the leftover trees to some construction workers who’d helped them set up. They decorate the tallest of the trees at the site — Rockefeller Center. Henry makes a wish for a warm house to live in, and takes a pine cone from the tree home with him.

The construction workers turn up the next day with some extra wood and offer to build the struggling family a home. Henry helps a bit and is thrilled to have a warm place to live. When his parents throw a party to thank the men, Frank, the man who helped with the Christmas trees, gives Henry a hammer. Henry plants his pine cone and treasures the gift.

Flash forward, Henry has grown up, his tree is enormous, and along comes a man looking for a Christmas tree for Rockefeller Center. What seals the deal is that the man tells him the tree will be made into lumber for a house for a family in need — built by Habitat for Humanity. When the now gray-haired Henry attends the tree lighting, he sees a little girl picking up a pinecone from his tree.

Henry has the chance to complete the circle and share a very special gift. What? Did you think I was going to tell you the whole story? You’ll have to go get the book and find out what happens.

The story and its lovely illustrations by Jim LaMarche are perfect for curling up on a December evening and reading with a child. I love that the book incorporates history, holiday traditions, and the spirit of giving that can tranform this season into more than just making merry.

David also subtly touches on Habitat’s mission, which is to partner with people in need of decent housing (Habitat homeowners help build their own homes) and to bring people together to eradicate poverty housing. The impact of Habitat’s work is not only to build houses but to “transform the lives of volunteers,” as Rubel writes in the afterword, and his story really shows how that happens.

One more book before I get to the love of misery. Cinnamon Press, a terrific indie publisher in the UK, sent me Migrations by Anne Cluysenaar to review. Migrations is a collection of poems that are insightful, thoughtful,veined with wisdom, and also well crafted. Cluysenaar writes not only of human experience with feeling and skill, but also of human and natural history, literature, and philosophy.

The musical language in “Eels,” a poem in the section called “On the Farm,” is lovely, with interesting letter combinations such as the “gl” and “sh” along with “o” sounds as in the first stanza: “Glasseels, that in open ocean/passed for glints or ripples,/nose into rainflow freshness./Their gills flush crimson.” This reminded me of Seamus Heaney’s lilting poems.

“Through Time” is a series of poems that evoke the wonder of geological time and our human awe of it, and the poems’ shapes are jagged-edged like the shorelines, causeways, quarries, stream beds, shear zones, valleys, and other features Cluysenaar explores. She muses on things such as tiny prehistoric creatures who left “. . . delicate pale arabesques/on the stones at my feet” noting, “This was all beyond my/reach this flow –/independent ongoing life,/things quite unknown,/unconscious minds/feeding from tide to tide,/doodling grey stone.” There’s something almost liturgical in this language, and I love the image of an ancient chain of life leading to a person walking along the shore.

“Clay” is a long poem inspired by the Epic of Gilgamesh and by the author’s discovery that an ancestress of hers lived 10,000 years ago in what is now Syria. The poem alternates between the ancient and the remembered present, as in this passage reflecting on a young scribe marking a clay tablet: “But what if he knows we’ll look down/on that river (still flowing), our steps/and our thoughts, like his, still restless?/I see his young hand, ghostly,/making strokes for the word life –/life that enforces a journey./My own, typing the word./Text upon text upon text./And thoughts’ unwriteable palimpset.” Shivery stuff, that ancient hand writing alongside today’s poet.

“As a wind or an echo rebounds,” a poem whose title is taken from Plato’s Phaedrus, is shorter but still a few pages long. It is a very poignant reflection on the death of a loved one: “. . . the terror/of love about to flow between us.”

The final section of the book, “Migrations,” joins poems which reflect that theme but are varied in subject matter, point of view, and setting. I particularly enjoyed “Late-night London. The Tube” which describes a singing panhandler, “It was a round bin, strapped,” about a sort of drop box for books traded between the narrator and a homeless person who annotates the margins. “No I can’t remember his words,” “Waiting for tests,” “Mere canvas – flat, timeless,” and “A metaphor for this earth” are also particularly strong, lovely poems.

One more in this final section actually made me squirm: “Soft as water, my finger-tips,”about a salmon’s experience as someone lifts it out of a stream, is so evocative that I felt as if I was experiencing what the fish was: “. . . the air clasps round,/harsh with heat, the floating/surface below him broken,/ no water to breathe, nothing/against which to brace his fins.”

Cinnamon Press is an independent source of original voices and fresh talent in a world in which large publishers’ marketing and sales departments often determine what the public reads. You can’t go wrong with any of their high quality titles, and I recommend Migrations wholeheartedly.

Ok, on to the griping already! First, a book I really didn’t enjoy. I almost never blog about books I didn’t like, but this one got so much hype when it came out that I am going to do a bit of complaining myself and ask: what is the appeal of Loving Frank?

As I told the Hooksett Library Book Club, which discussed the novel in October, I am willing to have an open mind and try to appreciate a novel that is either about people I don’t particularly like or a story I’m not drawn into, but not both. I’d argue that a novelist has to convince readers to get behind either the characters or what happens to them, or ideally, both. But in this case, I got all the way to the end without caring about either the characters or the plot. I wished I’d followed Teen the Younger’s advice to quit reading a book that isn’t appealing.

Rant over. On to the better kind of griping, that of writers who are perceptive and funny as they whinge. First up, Another Bad-Dog Book by Joni B. Cole. I laughed out loud throughout this warm and endearingly grumpy essay collection. I’ve mentioned before that I get a kick out of books that make me wish I could sit down and have a cup of tea with the author. This one makes me want to sit down and share a bottle of wine and swap favorite Kate Middleton style blogs with the author.

Cole wouldn’t think less of me for ogling royal fashions. And, she is a hilarious griper. She sends up not only her family and friends and herself, but also all the many things that comprise “neurotic human behavior” as her subtitle says. But these essays aren’t just about self-deprecating humor or skewering the crazy things she observes.

Cole’s insights are thoughtful, bittersweet, and intelligent. She is not preachy or didactic, and she’s kind, even when she writes about things that make her miserable.  She writes about experiences many people can identify with: feeling insecure about one’s looks or at a professional conference, dealing with illness or caring for aging parents, parenting, finding out an old friend on Facebook is a ranting nut-case, facing one’s own foibles. This was a delightful read, one that made me tear up at least once (see if you can read “Oh, Didn’t I Tell You?” without reaching for a tissue)  in addition to laughing out loud.

Here’s an example of Cole at her best, writing about her best friend in college: “Jeff always said I was the funniest girl I knew, and so I was funny. After he told me he was gay, he assumed I was a decent human being, and so I decided to act like one.” Coming out in the 80’s, even to a friend, was risky, and her friend saw the best in her. You will too as you laugh along with Cole and enjoy her wisdom and sharp wit.

I’m getting close to my goal of reading fourteen Europa Editions books by the end of 2011 for the Europa Challenge. In November I read another short story collection by Eric-Emannuel Schmitt, The Most Beautiful Book in the World. I read Concerto to the Memory of an Angel earlier this year.

Schmitt’s stories are full of grumpy people who serve as foils for the grateful human beings who bring his themes to fruition.  And I think his theme in The Most Beautiful Book In the World is that what we humans spend an awful lot of time yearning for what we actually already have.  If we’d quit complaining and look around, we’d see it. Miserable people aren’t very mindful, but in Schmitt’s hands they are generally entertaining.

My favorite stories in this collection include: “The Intruder,” which is just heartbreaking; “The Barefoot Princess,” ditto; “Odette Toulemonde,” which the author adapted from his film of the same name; “The Forgery,” which kept me guessing; and the title story, about a gift women in a gulag make for their daughters.

Schmitt endears and amuses, his characters stumble and fumble and delude themselves but nearly every tale includes redemption or realization as well. A few stories aren’t about people who are miserable out of habit or character but really have an illness or other trauma. Even those are hopeful. I thoroughly enjoyed the book and look forward to another Schmitt collection in my “to read” pile: The Woman With the Bouquet.

Another Europa editions book I read in November was Tokyo Fiancee by Amelie Nothomb.  This is a quirky short novel about a Belgian girl who becomes engaged to a Japanese boy while living in Tokyo. It touches on the oddities (to Westerners) of Japanese culture, the formalities and rules which dictate social and even family life there, and the strangeness of being an ex-pat.

The girl, also named Amelie, enjoys the boy’s attentions and his romantic, almost chivalrous delight in her, but doesn’t really want to get married. In the middle of a lot of romantic wooing, the book veers into a touch of magical realism in two separate mountain scenes. I won’t spoil it but I will say I found it slightly confusing and wasn’t always clear on why Amelie was miserable.

She’s not a loveable protagonist but in this case, that didn’t ruin the book for me. Because she’s young and somewhat impetuous, I could believe the story; one thing that confused me is that while this is fiction, the main character not only shares the author’s name, but also bits of her biography. Both are Belgian but born in Japan, and at the end of the book Amelie flies to Japan for a book tour for what was Amelie Nothomb’s first novel.

So is this autobiography, fiction, or some hybrid thereof? Does it matter? It kind of did to me — somehow it would be different if a real person had the experiences Amelie did. On the other hand, I had heard the ending would surprise and it didn’t. To me it seemed that Amelie did exactly what the book had been leading her to do.

So, I enjoyed this strange little novel on the whole, but was left wondering what I’d just read.  Except that this book was about someone who was miserable being happy in the conventional boy-meets-girl-they-fall-in-love sense. But ends up happy all the same. Got it?

I’d been waiting for French Leave by Anna Gavalda, also from Europa Editions, to be available on interlibrary loan. This was a quick read, sweet and funny and True, in that Gavalda really captured soemthing of the essence of being human. It’s the story of adult siblings who play hooky from a family wedding and visit their brother who wasn’t able to attend.

They spend the day and night remembering together (and I love how they don’t all remember childhood the same way, which is one of those little details that rings so true to life), hanging out, being silly, leaving their relationships, work, and responsibilities behind. I really enjoyed this book about letting the cares of the world go and being a family.

The family dynamics, the tensions and dramas, are finely rendered.  It’s a touching read. It’s pitch perfect — I could picture Garance, the sibling who tells the story, as she spoke, young, a little bit wild and flip, messy but pretty. Carine, the sister-in-law, is a classic I’m-not-happy-unless-I’m-miserable type who badgers everyone around her. And, there is a loveable stray mutt who plays a role in the story — making a furry friend is always a good way to leave your troubles behind.

I’m now reading the Gerald Samper books by James Hamilton-Paterson (all three are from Europa). I read Cooking With Fernet Branca last weekend and laughed aloud.  I’m about halfway through Amazing Disgrace and am wondering exactly where our hapless hero is going to end up next.

Gerald Samper is a British ex-pat author of sports biographies. He lives on a hill in Tuscany where he creates foul sounding gourmet dishes he is inordinately proud of, and sings opera (again a point of great pride) very badly.  He is forever grousing about his Voynovian neighbor Marta, who turns out to be a composer who parodies his yowling, and complaining heartily about the narcissistic, vapid subjects of his biographies.

Samper loves himself and loves to complain, and he’s the perfect male lead for these farces.  In the first book, he blames Marta for making him drink Fernet Branca, a strong Italian liqueur, but in her chapters, she blames him.  Their back and forth, including a wacky scene in which Samper nails himself to the fence he is trying to build between their properties, and their parallel struggles with their creative work and the crazy people they have to deal with are hilarious.

The minor characters in Cooking With Fernet Branca include a great Italian film director who seems a little loopy, his sports car driving son, a fast-talking realtor, Marta’s Voynovian family members, including a brother who lands an attack helicopter on her hillside, and the leader of a “boy band” who visits Samper and turns out to believe in UFO’s. Hamilton-Paterson is that perfect combination: avery good writer who also does comedy well, and I am really enjoying these books.

Teen the Younger read The Invention of Hugo Cabret by Brian Selznik last month, after seeing Martin Scorsese on The Daily Show. We hope to catch the film soon. She really liked the illustrations, and said she found the story interesting and liked how it all fit together. She is also reading The Complete Sherlock Holmes and must be enjoying it, since as we’ve discussed, she doesn’t finish books she doesn’t like.

I’m hoping to finish the Gerald Samper books (after Amazing Disgrace comes Rancid Pansies) and the other Schmitt story collection, and I have the next Hooksett Book Club selection out from the library (Major Pettigrew’s Last Stand, which I’ve read and loved). I hope to reduce the piles beside my bed to perhaps one small stack over the holidays. Don’t I say that every month?

But meanwhile, I am trying to slow down in advent while also preparing for the holidays. So, I hope to reduce my griping (and my to-do lists) with literary humor and wisdom and find happiness even in the life’s aggravations. Like a woodpecker destroying the siding on the back wall of our house. We humans like to gripe, but we also like to laugh. I hope you find stories that offer both in the coming month.

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