Feeds:
Posts
Comments

Posts Tagged ‘humor’

When I read The Secret Lives of Color by Kassia St. Clair couple of weeks ago, the section on heliotrope included notes Oscar Wilde makes in his play An Ideal Husband about the villainess Mrs. Cheveley when she enters a party at Lord and Lady Chiltern’s house in Grosvenor Square: “She is in heliotrope, with diamonds.” Just as I followed the trail from A Month in the Country to Under the Greenwood Tree, I decided this afternoon to read Wilde’s play and see whether Mrs. Cheveley, who St. Clair’s describes as Wilde’s “deliciously immoral antiheroine” and one of the many “badly behaved characters . . . often described as wearing the color” in literature is as wicked as all that.

And she is. I think I’ve only ever seen one play by Wilde: The Importance of Being Earnest. I’d forgotten how funny he is. An Ideal Husband could be about rich politicians today . . . in fact I think it would be fun to see a contemporary setting. Lord and Lady Chiltern are pillars of London society, he a member of Parliament, she his political partner and very involved in worthy causes. They are widely thought of as good people. At a party, Mrs. Cheveley shows up, fresh from Vienna where she’s been living, and promptly blackmails Lord Chiltern. She has evidence of Chiltern selling insider information to a rich Baron when Chiltern was a young man, “well-born but poor.” She wants him to make a speech promoting a project he is set to denounce, which would make her a fortune. She threatens to expose his earlier misdeed if he doesn’t do what she wants.

Chiltern is terrified, not of losing his own position, but of disappointing and possibly even losing his wife. He turns to his dear friend, Lord Goring for advice. Goring is a vain young man whose father thinks he is lazy (his equally silly love interest, Lord Chiltern’s younger sister Mabel, counters this by noting that among other things he “changes his clothes five times a day and dines out every night of the season” and is therefore not “leading an idle life”). But he is a loyal friend, and does his best to help, to great comic effect.

The play moves along at a good pace and covers only one twenty-four hour period, so it was a quick read. Wilde skewers London’s “season” and comments acerbically on marriage, wealth, and greed — Mrs. Cheveley is really a nasty, selfish, mean-spirited person who has apparently despised Lady Chiltern since they were young and has stolen jewelry which she has the audacity to wear. But he is gentle on Chiltern, or so it seems to me. I could see how tempting it was for the young Chiltern to do what he felt necessary to put himself in a position of influence, and how he’d spent his life trying to make up for his ill gotten gains by using his ambition for good.

Wilde also writes fairly bitterly about relationships. At one point Chiltern is addressing his wife, after telling her about how he couldn’t admit his crime to her because she’d built him up into something he was not: “Women think that they are making ideals of men. What they are making of us are false idols merely. You made your false idol of me and I had not the courage to come down, show you my wounds, tell you my weaknesses.” That’s a pretty dark view of marriage.

I also appreciated this bit of Goring’s advice: “Well, the English can’t stand a man who is always saying he is in the right, but they are very fond of a man who admits that he has been in the wrong. It is one of the best things in them. However, in your case, Robert, a confession would not do. The money, if you will allow me to say so, is  . . . awkward. Besides, if you did make a clean breast of the whole affair, you would never be able to talk morality again. And in England, a man who can’t talk morality twice a week to a large, popular, immoral audience is quite over as a serious politician.”

That to me is painfully funny — I love the understated ” . . . awkward”  and isn’t it true that politicians love to moralize, especially the ones who’ve done immoral things themselves? This passage seems to me to relate to much of what’s still wrong with politics and public perception of politicians today. An Ideal Husband was a really fun Sunday afternoon read. I’m interested in reading more — we have a a book of Wilde’s complete plays, so the next time I’m between books and casting about for something short and entertaining, I’ll know where to turn.

 

Advertisements

Read Full Post »

In more than one article where he’s asked about favorite books, Michael Ondaatje cites J.L. Carr‘s A Month in the Country.  That was more than enough endorsement for me to add it to a list of books to look for . . . and then I found it on our ramble through the used bookshops of Portland at the beginning of the summer. I read it today and it was just the balm I needed after a tough couple of weeks of hard thinking at work about my research project and the new semester and at home about my project for my final year of grad school.

It was also the perfect book to read after The Secret Lives of Color. In A Month in the Country, the main character, Mr. Birkin, is a WWI veteran who arrives in 1920 in a northern English village called Oxgodby, where he’s been hired to uncover a medieval painting whitewashed over centuries earlier in the local church. As he works he notes various pigments, like ultramarine and hematite and verdigris, and as he commented on their richness, colorfastness, scarcity, or cost, I understood.

Both Birkin’s work and that of his fellow veteran and “southerner” Mr. Moon are funded by the recently deceased Adelaide Hebron, whose last wishes include hiring someone to uncover the artwork and to find the tomb of her ancestor Piers, who was excommunicated and so isn’t buried in the churchyard. Moon, an archeologist, suspects the meadow also holds even more ancient remains and the foundation of a much earlier church, dating back to the 7th century. He stays in a tent (and a hole he’s dug under it), Birkin stays in the bell tower, and between them they work and observe the locals and discuss the vicar, Rev. Keach and his lovely young wife, Alice, who seem mismatched. Which of course provides room for speculation, but there’s no sappy or simple love story here. Just tension, well told.

Birkin ends up being absorbed into village life as he is pressed into officiating local cricket matches and looked after by the stationmaster, Mr. Ellerbeck, and his family. As their teenaged daughter Kathy notes, “Mam says you’re over-much on your own and traipse around like a man in a dream and need to be got into company.” They are “chapel” rather than church people, and out of appreciation for their kindness and their generosity (Mrs. Ellerbeck feeds him regularly) Birkin ends up attending their Wesleyan services and helping with Sunday school. He even takes an uncomfortable turn at preaching in a nearby chapel when Ellerbeck is overextended, and helps his new friends shop for an organ for the chapel in the nearby town, in scene which is a hilarious send-up of sectarian snobbery.

The humor, the portrait of village life, the commentary on post WWI England’s cultural, social, and religious landscape, and the mysteries of Birkin’s and Moon’s work are all delightful. The story is certainly entertaining, but the deeper threads about healing from war wounds visible and invisible, and finding one’s way in a world that seems both completely changed in some ways and very much what it’s always been in others, make for a thoughtful read that explores the kind of “big T” truths that I enjoy in fiction.

Moon tells Birkin, as summer draws to a close and their work is nearly done, “You can only have this piece of cake once; you can’t keep munching away at it. Sad, but there it is! You’ll find that, once you’ve dragged yourself off round the corner, there’ll be another view; it may even be a better one.” Later than evening, Birkin reflects on this and thinks, “And he was right — the first breath of autumn was in the air, a prodigal feeling, a feeling of wanting, taking, and keeping before it is too late.”

That’s what A Month in the Country is about — that feeling, and how we respond to it. Birkin has decisions to make. Moon has plans. The story ends without our knowing precisely what they intend to do, but with a delicious sense of “a precious moment gone” as Carr writes. This is a book I’ll read again, and one that I picked up at just the right time.

Read Full Post »

This was an impulse buy — I saw The Towers of Trebizond at my local independent bookstore and immediately thought I’d always intended to read it, so I should get it (it was a nice used copy, so I even felt virtuous about my purchase). Little did I know the devotion some readers, such as Joanna Trollope, feel towards this book and its author, Rose Macaulay. I am still reeling from the ending, which I read a couple of hours ago. I can see why this book might bear re-reading well, because I am so caught up in the end that I’m struggling to describe my overall feelings about it.

Essentially this novel is the story of Laurie, a young woman (Probably? I struggled to find any gender reference and Laurie can be male or female. The only indication I find is that when Vere, Laurie’s lover, comes to stay, her Aunt Dot’s servant Emily is not shocked, because Laurie’s sister is also at Aunt Dot’s house. Regardless, I think it doesn’t matter which gender Laurie is.) traveling with Aunt Dot, a woman in her fifties, and Father Chantry-Pigg, a recently retired Anglo Catholic priest. The trio are in Turkey in the fifites, where Aunt Dott and Father Pigg want to convert people to Anglicanism and bring attention to the plight of Turkish women (Aunt Dot’s special interest is the condition of women). They seem to be losing the opportunity to convert people because Billy Graham’s people precede them by a week or so as they travel.

Laurie is along to help Aunt Dot with a book she is working on. Most of the their circle of friends are working on some version of a book about traveling in Turkey, and Macaulay pokes gentle fun at this tendency of a certain class of British traveler to write about their journeys. At a certain point, Aunt Dot and Father Pigg disappear — I’ll leave the details for you to find out yourself — and Laurie is left with their gear and luggage and the camel Aunt Dot has brought along from England for the journey. (Again, would a young woman be left to travel alone? I’m not certain.)

So — eccentric British people, a lot of musing on and analysis of Anglicanism, subtle humor, exotic locales. So far, so good. But this book goes way beyond being a funny send-up of British travelers and missionaries. Laurie struggles deeply with “adultery” — Vere is Laurie’s lover, and Laurie refers to not wanting to give that up, but clearly feels it would be right to. Father Pigg seems to know of Laurie’s struggle, even counseling that a return to church would be a solution. So readers have an incomplete picture, but understand there is something forbidden about Laurie and Vere’s relationship.

As the book unfolds, Laurie thinks a great deal about faith, religion, and the state of each in the mid twentieth century. That part of the novel is interesting — Laurie is curious and well spoken about various Christian denominations, and learns more about Islam. There is a lot of reflection on why church and faith diverge and while claiming not to know much, is actually quite wise. Laurie tells a friend who thinks Christianity odd, “The light of the spirit, the light that has lighted every man who came into the world. What I mean is, it wasn’t only what happened in Palestine two thousand years ago, it wasn’t just local and temporal and personal, it’s the other kingdom, the courts of God, get into them however you can and stay in them if you can, only one can’t. But don’t worry me about the jewish Church in Palestine, or the doings of the Christian Church ever since, it’s mostly irrelevant to what matters.”

There’s a lot to think about in that one reply, and it sums up Laurie’s crisis — Christian faith is everything, but is at the same time beyond reach. Readers (at least this one) might pass this off as troubled youth (Laurie is young, although how young is also unclear) in a post-war world, where communism and baptists both draw off Church of England members, until the shattering end of this novel, when the enormity of Laurie’s struggle comes into focus.

I loved The Towers of Trebizond. It’s neither a quick nor a simple novel, and I suspect I’ll be mulling it over for some time.

 

Read Full Post »

I read a couple of good books and listened to a third last week as part of the book bingo challenges I’m doing at the library where I work and my local public library. But, The Computer Scientist has planted the idea in my head that maybe it would be good for me to deliberately not finish either book bingo. I haven’t decided for sure, but I’m reading whatever I want this week whether it fits a bingo card or not.

I read a graphic novel from the offspring formerly known as Teen the Younger, Seconds by Bryan Lee O’Malley, who wrote the Scott Pilgrim series. It’s the story of Katie, a young woman who is a chef with a successful restaurant, about to open a new one. Things are not going well with the renovation (something I, in the midst of a kitchen remodel that hit a much more minor snag this week, can identify with), or with the rest of her life. A strange encounter in the night leaves her with mushrooms and a note that tells her she can write down a mistake, eat a mushroom, go to sleep, and wake up with a new life.

Like any good fairy tale there’s are a couple of “witch” figures — house spirits, in this case. The heroine has to make several mistakes with the magic and things have to get much worse before they get better. It is a very enjoyable read, with interesting and vivid art, that moves along quickly.

The other book I read, The Purple Swamp Hen is a short story collection by Penelope Lively, whose How It All Began I loved, as well as Dancing Fish and Ammonites.  I love short fiction and this collection did not disappoint. The title story is one of my favorites; it’s told from the point of view of the unusual bird depicted in a Pompeii fresco, who tells about the decadent and mostly unkind humans in villa before the Vesuvius eruption. Which is not as weird as it sounds. I enjoyed the whole book really, but another standout was “The Bridge,” which deals with a long married couple living separate lives mainly because they have parallel memories of a tragedy, which allows one to move on and the other to remain stuck with holding that memory at bay. Lively is a genius at depicting human nature in all its faulty glory in a few brief pages.

I listened to the audiobook version of  One Man Guy by Michael Barakiva. It’s the story of Alex Khederian, an Armenian American teen whose strict parents are both a source of pride and frustration. Alex has to go to summer school even though he passed all his classes, because his mom and dad want him to be in honors classes like his older brother. There, Alex gets to know Ethan, one of the charismatic older students from the rowdy crowd at school known as the drop outs. Alex admits they’re not much in the way of troublemakers given that he lives in a fairly affluent school district in New Jersey. But Ethan drags Alex on a forbidden adventure in the City and in no time they are inseparable and Alex is taking chances he never dreamed of.  It takes Alex’s best friend, Becky, to help him see how he really feels about Ethan. As in any good romantic comedy, a mishap causes a minor disaster — Alex’s parents ground him, possibly ending his relationship. Will love prevail? Will the Khederians trust Alex again? Will he make honors? A funny, sweet, but not overly treacly, love story that attempts (fairly successfully) to deal with multiple cultures: suburban New Jersey high school, gay New York, and Armenian American. I was hungry after listening as Barakiva includes mouth- watering details about the Khederians’ favorite meals.

I’ve moved on to a book I heard about on The Readers earlier in the summer, that I don’t think actually fits any book bingo squares. I can resist the urge to fill every square. Really.

 

Read Full Post »

I absolutely loved Where’d You Go, Bernadette,  so I was excited to read Maria Semple‘s latest novel, Today Will Be Different. Eleanor Flood, the protagonist, was the animation director on an edgy TV show. She does freelance illustration in Seattle; she has a book deal for a graphic novel (which is embedded in Today Will Be Different) based on her childhood, but it’s eight years overdue. Her husband, Joe, is a famous hand surgeon who works with the Seahawks. They have a son, Timby, who applies makeup when he thinks his mother isn’t looking, and a dog, Yo-Yo. She knows her life would be the envy of most people, but she’s at loose ends, feeling middle aged, useless, and lost.

For one thing, she hasn’t seen her sister Ivy in years, because of her controlling, unhinged brother-in-law. For another, she gets the sense that Joe is up to something. On a morning when she vows that her day will be different — she’ll be her “best self” — she instead ends up on a madcap adventure around Seattle, with Timby, who says he has a stomach ache but is really being bullied at school, and Yo-Yo, at least part of the time, in tow.

It’s impossible not to root for Eleanor — who among us hasn’t meant to be our best selves, and found it perpetually impossible? And if you enjoyed Semple’s gentle but persistent humorous critique of upper middle class privileged angst in her earlier work, you’ll laugh at it again here. But Today Will Be Different, like Where’d You Go Bernadette, isn’t just wacky and fun, it has a deep vein of emotional, and this time even spiritual, truth to explore. It’s a book about love in many forms, and about being who we are in a world that constantly tempts us to be otherwise. And in Eleanor’s case, it’s about healing from a past that comes back to stir up her psyche no matter how much she tries to let it go, or sometimes, to banish it.

“Deep down, Eleanor knew she must have been born a warmer soul. She wasn’t meant to be so self reliant.” And deep down we know that as much as we may giggle at her exploits, and roll our eyes at some of the ridiculous ways people in this book act, Eleanor’s warm soul will lift her out of the funk she’s in. We get the sense that Eleanor will let herself rely on Timby and Joe and even Yo-Yo, who love her and know they can count on her even when she’s “mean,” one of Timby’s frequent complaints. I won’t tell you the plot twists or how things end, but I will say that despite everything, readers come to the final page feeling love can prevail over just about anything, even Eleanor Flood. And don’t we all need a little reminding of that?

Read Full Post »

I’d heard so many rave reviews of this book that I was both curious and skeptical. But I’ve spent the last couple of weeks reading it and it didn’t disappoint. The Nix is a debut novel, which makes it’s complexity and success even more of a wonder. If you’ve followed this blog you know my highest praise consists of one of three things: that a book uses no extra words, that it is a well-told story, and that it says something “Big T” True that makes me think, to paraphrase Paul Harding, “I’ve always known that to be true but I’ve never heard it said it quite the same way.”  The Nix hit the sweet spot on all three of those criteria.

It’s a wild story. Samuel is a college professor although his heart’s not in it, and he escapes into Elfscape, a game much like World of Warcraft. He is escaping his increasingly unsatisfying job, but also trying to forget the book he is years overdue on; his mother, Faye, who abandoned him and his father; and his first and only love, a famous violinist. He hasn’t seen Faye since he was 11, but one day he realizes that she is the “Packer Attacker” on the news — an older woman who has thrown gravel at a gun-toting Presidential candidate in Chicago. What he hears on the news is that she was a sixties radical arrested during the 1968 Chicago protests, but this doesn’t line up with what he thinks he knows about her. Then he hears from his editor/publisher that he’s about to be sued for never writing a book he received an advance for.

Samuel sees an out– he’ll write a tell all book, an estranged son’s view of his mother’s story. He just has to learn what her story is, first. The novel unfolds around this quest, supported by very well-drawn characters who illuminate both Samuel’s and Faye’s childhoods. Through their dual coming of age stories, and the lives theirs are tangled up with, Hill spins a story that isn’t just about Samuel and Faye and their family and friends, but about growing up, choosing a path, leaving a mark in the world, being with others. In other words, he writes about the experience of being human in a world of impermanence and finding reality among the shadows. Particularly the shadows of the stories families tell.

Towards the end of the book, reflecting on what one of his Elfscape friends told him, “that the people in your life are either enemies, obstacles, puzzles, or traps,” Samuel thinks “. . . you cannot endure this world alone . . . and if you choose to see people as puzzles, and if you see yourself as a puzzle, then you will be constantly delighted, because eventually, if you dig deep enough into anybody, if you really look under the hood of someone’s life, you will find something familiar. This is more work, of course, than believing they are enemies. Understanding is always harder than plain hatred. But it expands your life. You will feel less alone.”

I loved this book, for the three reasons I mentioned above, for the way it weaves social history and culture and folklore together with the story of people and their relationships with one another, and for the lovely writing. Also for the humor, a pleasant surprise in a book about large and serious themes. Hill is willing to see a little bit of brilliance in both poetry and MMOs, political protest and advertising. He sees the humans behind inhumane things, the complications and impurities of anything so sprawling as a “movement,” and he is fair to it all. Even the deplorably manipulative student who has Samuel fired gets some grudging credit — she is a creature of our culture, and she’s good at what she does, in her way.

If you’re looking for a book that will keep you entertained and also make you think, and will take more than a couple of nights to read, you can’t go wrong with The Nix.

 

Read Full Post »

I read Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened by Allie Brosh to fill the “a graphic novel or comic book” square on my book bingo card. And because my daughter finds some of it hysterical and some of it wise. And a young, smart colleague at work said it was one of the most helpful things she’d read when a friend was depressed, because it helped her see what that was like. And I am simultaneously admiring and jealous of bloggers whose work is published in books — Hyperbole and a Half was (and still is) a blog before it became a book.

When I brought it home, my daughter wanted to read two sections to me — I LOVE being read to, and I can’t even think of the last time that happened. She chose “The God of Cake,” and “The Party,” and by the time she got to the end of each she was laughing so hard she could barely catch her breath and was almost in tears, and that made me ridiculously, thoroughly happy.

I read the rest myself but she frequently came in and asked where I was and commented.

My take? Both my daughter and my young smart colleague are correct — it’s hysterical, and wise, and helpful. It’s also scary and maybe even a little painful. “Identity Part One” and “Identity Part Two” are so packed with observant insights into human nature and the philosophy of the self — or  is that just my identity, thinking I’m smart and wanting to feel special by saying things like that? Eek.

In “Depression, Part Two,”  Brosh writes (and draws), “And even if everything still seems like hopeless bullshit, maybe it’s just pointless bullshit or weird bullshit or possibly not even bullshit.

I don’t know.
But when you’re concerned that the miserable, boring wasteland in front of you might stretch all the way into forever, not knowing feels strangely hope-like.”

Wow. This is hard, funny, amazing stuff and I loved it, even when it made me uncomfortable. Tonight as I was looking at the blog, I read a comment that said “Oh my….this sort of hurt to read yet, I feel oddly connected to you.”  Yes. That, exactly. And bonus points because you make my daughter laugh.

Read Full Post »

Older Posts »