Posts Tagged ‘Joel Dicker’

The column ran today, and here it is (headlines by the Concord Monitor):

The Mindful Reader: ‘Claremont Boy’ tells his tale with wry sense of humor

Joseph Steinfield wrote a column for the Monadnack Ledger-Transcript called “Looking Back,” where the short personal essays in his memoir Claremont Boy: My New Hampshire Roots and the Gift of Memory first appeared. Whether he’s writing about his childhood in Claremont, his career as a lawyer, his immigrant family or his interesting friends (including Julia and Paul Childs) and New Hampshire neighbors, Steinfield’s voice is what makes this book a gem. He’s a terrific storyteller with stellar pacing and a wry sense of humor.

One of my favorite pieces, “My Mother’s Hobby and Roosevelt Grier,” demonstrates this beautifully. He explains that as a child he thought his mother’s needlepoint was “. . . a waste of time. Nothing you could play with, or even wear.” When she announced in her late 50s that she planned to move to Boston and get a job, Steinfield was doubtful. She became Lord & Taylor’s “Needlepoint Lady” around the time Rosey Grier popularized the hobby. Steinfield concludes, “So much for having a know-it-all son.”

Whether he’s writing about small town life in the 1940s and ’50s, losing his wallet while traveling, learning his daughter is gay, or wishing he could be a professional baseball player, Steinfield’s warm, witty stories will keep you entertained and leave you a little wiser. Bauhan Publishing has done a beautiful job with the book design, incorporating photos and illustrations that enhance the essays.

Sensational novel

Set in New Hampshire but penned by a young Swiss author, Joel Dicker, The Truth About the Harry Quebert Affair is a unique thriller. The narrator, Marcus Goldman, was prominent author Harry Quebert’s student at a small college in Massachusetts. He visits his mentor at his Seacoast home after the wild success of his first novel leaves him paralyzed with writer’s block. When Nola Kellergan, missing for 30 years, is found buried in Harry’s yard, he’s arrested. Marcus moves into Harry’s house and vows to learn who really killed Nola. His publisher demands that Marcus write about the sensational story quickly, since he has failed to make his deadline on a promised second novel.

 The Truth About the Harry Quebert Affair is a page-turning police procedural about Nola Kellergan’s murder. It’s also a study of how truth appears differently to different people. And it’s a novel about love in its many forms, and the lengths we’ll go to protect those we love, even to the point of madness. None of that is unusual for a thriller, but Dicker also examines artistic inspiration – sprinkled between the regular chapters are Harry’s rules for writing a great novel, which both Marcus and Harry aspire to, and there is an important subplot about a painter.

Some of the dialogue is a little odd. For example, librarian Ernie Pinkas says, “I would like to be listed in the Acknowledgements of your book. I would like you to mention my name on the last page, the way writers often do. I would like my name to be the first one. In big letters. Because I did help you get information, didn’t I? Do you think that will be possible? My wife would be proud of me. Her husband would have contributed to the huge success of Marcus Goldman, the famous writer.” I’m not sure whether the strangeness is caused by the author imagining the way people speak here or whether it’s a result of the translation. Regardless, this dramatic, original first novel has made Joel Dicker a famous writer in Europe, and may do so in America as well.

Water for the heart

Richard Hoffman’s love & fury is a memoir that examines the complexities of family relationships, especially those between fathers and sons. Written after his father’s death, and after his grandson’s father is imprisoned on dubious charges in a case exacerbated by Hoffman’s own very public advocacy for the young man, this book is bracing and touching, searing and tender all at once.

It’s not only a book about being a man, but also about being human and truly knowing each other. Hoffman’s cover quote sums the book up exactly: “When I have spoken of my family in the past, there is always someone who wants to know how such love and fury could coexist, and I don’t understand the question. Families seem to me to be made of love and fury. The world is mostly water; we are mostly water; but we don’t ask how such hydrogen and oxygen can coexist. We just drink it and live.”

Hoffman’s writing is water for the heart, words that will quench those struggling with self-examination, family reconciliation, or damage done by physical or societal ills.

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