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Posts Tagged ‘Ruth Ozeki’

When I read A Tale for the Time Being I knew I’d want to read more of Ruth Ozeki’s work. The friends whose house I’m staying at this week happened to have My Year of Meats on their shelves, so I decided that was sign. Also, the protagonist is a documentary filmmaker, which sort of segues from the previous two books I read, which both had something to do with the contemporary art scene.  Looking at the rest of the pile of books I’ve brought I’m not sure I can keep spooling out these connections, but we’ll see.

Anyway, My Year of Meats was Ozeki’s debut novel, and it’s stunning in more ways than one. Jane, the protagonist, is a Japanese American who is hired to film a series of programs promoting American beef, called “My American Wife!” The series will feature “real” American families and their beef recipes. Jane and her Japanese crew set off across America but Jane’s documentarian streak rebels at her remit and she keeps veering slightly off course, in ways that annoy the beef promotion syndicate’s boss, Joichi Ueno (“You get it? ‘John Wayno’!” Ueno asks in a Mississippi church). For example, Jane features lesbian vegetarians from Northampton in one of her episodes.

In the course of the story, Jane hears from Ueno’s wife, Akiko, who asks her about another issue that came to light in Jane’s research: whether hormones in the meat industry are contributing to lower fertility rates. This deeply impacts Jane, as she is a DES daughter — someone whose mother was prescribed DES to prevent miscarriage. when Jane realizes she has come across a feedlot in Colorado that is using the banned hormone, she risks everything — her job, her relationship, and even her health — to get her crew in to film before Ueno can arrive from Japan to foil her plan.

The book has a second set of storylines as strong as that one. Jane’s relationship with a musician named Sloan and her own fertility issues, and Akiko’s relationship with Ueno and parallel issues. Both Jane and Akiko are fans of Shonagon and her Pillow Book, which Ozeki quotes between chapters. The women make contact, initially, via faxes, which others read with various complications. It is charming and a little strange, to think that a few short years after the time of this novel, intercepted faxes would no longer be a viable plot twist.

This is in some ways a brutal read; there are horrible domestic violence scenes and the final filming Jane and her crew do in a slaughterhouse is awful. But despite the brutality the book is about truth and is also in many ways a celebration of love, and about the strength of these to overcome ignorance and pain. It’s also a philosophical study of collective ignorance.

Ozeki writes in Jane’s voice, “. . . ignorance is an act of will, a choice that one makes over and over again, especially when information overwhelms and knowledge has become synonymous with impotence. I would like to think of my ‘ignorance’ less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterizes the end of the millennium. If we can’t act on knowledge, then we can’t survive without ignorance. So we cultivate the ignorance, go to great lengths to celebrate it, even.” This in a book written in 1998, set in 1992. Look where ignorance, and our cultural cultivation of it, has taken us.

Anyway, this isn’t a light read, but it’s a page turner. I really wanted to know what was going to happen to Jane, to Akiko, to the women in My American Wife!, to Jane’s crew and her mom and Sloan, so I tore through it. If you’re looking for a smart, challenging beach read this summer, this would be a good choice!

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This amazing novel, recommended by a friend, is about an author named Ruth who lives on an island off the west coast of Canada with her husband, Oliver. Ruth Ozeki, the author of this amazing novel, is an author named Ruth who lives on an island off the west coast of Canada with her husband, Oliver. Trippy? You ain’t seen nothing yet.

The book opens with a diary entry: “Hi! My name is Nao, and I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you. A time being  is someone who lives in time, and that means you, and me, and every one of us who is or was, or ever will be.”

We soon learn that Nao is a teenager in Japan, and that her diary washed up on the beach near Ruth’s and Oliver’s home, in a plastic bag, wrapped up with a watch, a parcel of letters, and another diary, written in French. As the novel unfolds, we learn about Ruth’s life and Nao’s. It’s a tough read, full of deeply important questions of human decency, purpose, belief, and meaning. Ozeki touches on an array of subjects as she tells her story —  First Peoples mythology, botany & ecology, meteorology & geography, Western philosophy, Zen Buddhism, quantum physics, computing and technology, consumerism, contemporary education, pop culture, and the relationship between people and cats, to name several.

Nao is terribly unhappy, but her father introduces her to her great-grandmother, who is 104 and lives at a temple where she is a Buddhist nun. From the start, Ruth is concerned about Nao’s well being, not only because she is troubled, but also because the diary appears on the beach after the 2011 Tsunami. Ruth wonders if Nao and her family are still alive. She becomes so wrapped up in determining what became of them that her own work suffers. Her interest teeters on obsession and possibly even madness, when she swears that Nao’s diary is missing words. Separately, she pursues tracking down Nao and her father, and finds out just enough to leave readers intrigued to the last pages.

Oliver, is sort of a modern Renaissance man, part artist, part scientist, part philosopher, and fully capable of wrestling the tricky generator they rely on when storms ravage the island, digging clams and oysters, and chopping firewood. He’s also Ruth’s counterbalance, a partner who supports her curiosity but also challenges it at times. The rest of the island gets involved too, once word gets out about their find. Much of what is in the two diaries is had to read — Ozeki captures man’s inhumanity to man pretty vividly. But it’s worth reading because A Tale for the Time Being is both a good story with a mystery at its heart and an incredible amalgamation of Eastern and Western culture and ideas. It’s a trip, full of heart, and a good read, and did I mention?  There’s a cat (and Schrödinger’s cat as well).

 

 

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