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Posts Tagged ‘satire’

Imaginative, outrageous, darkly humorous, prophetic, satiric. Those were the words on my blind date with a bookseller selection from Malaprop’s Bookstore in Asheville. Big reveal: I’ve never read Kurt Vonnegut before! I know, I know, I need to read Slaughterhouse Five.

The Sirens of Titan was Vonnegut’s second novel. It is just about all of the descriptions above – I’m not sure about prophetic, I’m still thinking about that. It’s a sci fi novel about a wealthy New Englander, Winston Niles Rumfoord, who flies into a “chronosynclastic infundibulum” In his spacecraft. As a result he is no longer his physical self; he only materializes when his energy waves line up with a planet. So he and his dog show up in Newport, RI every 59 days.

If this isn’t wild enough, Rumfoord can also see the past and the future. He manipulates a “Martian” invasion of Earth and orchestrates other events – including the coupling of his own wife, Beatrice, with another eccentric wealthy man, Malachi Constant, and the marooning of that man on Mercury for a few years – in order to bring about a new religion on Earth.

That religion, The Church of God the Utterly Indifferent, is predicated on the “apathy” of God, which makes mankind “free and truthful and dignified at last” because “No longer can a fool like Malachi Constant point to a ridiculous accident of good luck and say ‘Somebody up there likes me.'”

Hmm. That seems like a pretty silly sendup of organized religion, but I guess there’s no denying that some religious leaders – like the aptly named Creflo Dollar – do claim that God approves of them and their flocks. That doesn’t make them right though, and in my mind it makes them as much a parody  of true religion as Rumfoord.

Still, that’s a minor quibble and The Sirens of Titan is funny and successfully satirizes the excesses of wealth and celebrity and the tyranny of extremism. I won’t tell you how it all turns out but I will say it’s a good read, intelligent and entertaining, and would be really fun to discuss in a group. I definitely want to read more Vonnegut.

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I’ve been weeding damaged & stained fiction in our storage stacks at the library, and then shifting. So I’m literally touching every fiction book in storage, which is reminding me of authors I want to read. That’s how I came across and checked out Lapham Rising. I wrote the following review for the “book of the week” feature in a local weekly arts and culture paper. See? I can be brief!

The hero of Roger Rosenblatt’s satire is Harry March, a well-known author, who lives on a tiny island in Quogue, in the Hamptons. His wife has left him for a Hollywood events planner, he hasn’t written anything in some time, and he’s been jettisoning his belongings. He lives – and converses with – his West Highland White Terrier, Hector. Eschewing banks, he keeps his savings in the “The Money Room” of his house. Which, like Harry, has seen better days.

Harry’s focus is the enormous mansion rising across the creek. The owner is an extremely wealthy but grammatically challenged opinionater named Lapham, proprietor of the website Laphams Aphms. The novel takes place on the day when Harry’s effort to stop the monstrosity’s construction is about come to fruition. Hector tells him, “You’re such a cliché. A recluse on an island, railing against his times.” To which Harry replies, “I’m a cliché? And what do you call a talking dog?” A hilarious sendup of the excesses of the one percent and the aging intellectual alike, Lapham Rising is humor with heart. Even at his crankiest, Harry is a hero you’ll want to root for.

I enjoyed this book and I plan to seek out more of Rosenblatt’s work.

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Emerson College professor Steve Himmer’s new novel Fram is about Oscar, a “minor bureaucrat” in the Bureau of Ice Prognostication, a government agency tasked with completely imaginary work: inventing “discoveries” in the Arctic, creating records relating to their use, and recording these in reports and files in their basement office somewhere in Washington. For example, “Perhaps a town’s population had boomed—was a streak of silver discovered and a spoon factory built? Or perhaps a coal vein ran dry and the families of miners packed up and left it behind. Generations of prognosticators could return to the same parts of the Arctic and find something new . . . .” Their work is carried on under an old lightbulb with a “cloth-wrapped cord.” “The bulb wasn’t bright, but its wan glow was faithful.”

So is Oscar. His cover story is that he works on creating more efficient filing systems for the government, but “polar fever” as his wife Julia calls it, extends into his personal life, as he reads again and again about the great expeditions North and obsessively watches “Pole cam” on his phone. He is quietly dedicated to the Arctic, day and night.

One day Oscar’s diligent work is interrupted by unprecedented news: he and his new partner, Alexi, have been summoned by their director with orders to travel to the Arctic themselves. And this is where the novel begins to feel a lot like walking on ice, solid but unstable – the reader slips and slides, in one moment upright, slightly off balance the next. I never quite wiped out, but I was never absolutely certain where I stood.

Oscar goes home baffled and unsure of this mysterious trip. Julia isn’t home, and he muses on how they’ve grown apart, and how dearly he holds their private jokes and memories, the shared stories that make a marriage its own little ship on stormy seas. He notes how difficult it is, lying to Julia about what he does.

And the next morning, Oscar is seized. From there, his journey North is confusing and strange. He’s never sure who is BIP and who is not, who might be trustworthy and to whom he should deliver an envelope marked “Northern Branch.”  Spy-like figures, who readers first see on the Metro when Oscar leaves work the fateful day he learns of his journey, appear on trains and boats and in the snow. There’s a gunbattle aboard a ship. A mysterious hunter/terrorist who travels South, bent on destroying BIP’s work. Conspiracy theorists who posit online that BIP is a sham, balanced by hints that the “discoveries” are not in fact invented at all, but rather their invention is invented.

Himmer aims his considerable dark wit at government bureaucracy, at “big data,” at murky virtual communities, even at extreme eating competitions and Bond-like villains – no one escapes skewering but Oscar, who is “fast as a lightbulb,” and seems to stand for honesty and diligence, hard work and faith, trust and loyalty. And even Oscar is slightly ridiculous, a lackey who never wavers from the make-believe of his own work even when his trip spins out of control, a grownup who spends all his spare time focused on his boyhood obsession, a man who misses the closeness he enjoyed with his wife even as he’s failed to really notice her own secrecy for years. These parts of the book resonated most with me – I enjoyed Oscar’s recollections of moments in his marriage that add up to a life together. I was rooting for him to return to Julia and make things right again. But that, like so much else in Fram, seemed uncertain with every new development.

Should a book, even one so reliant on polar seas and pack ice, leave its readers feeling so off-balance? Fram defies category; it doesn’t have the pacing or predictability of a mainstream thriller, nor the singular focus of a satire. Interspersed with the main narrative are very brief chapters that reference the history of Arctic exploration that Oscar holds so dear. Other slivers of story reveal glimpses of what else might be happening as Oscar is caught up in some strange intrigue. All of this adds to the off-kilter feeling.

But I wanted to finish Fram, the tilt-a-whirl sensation was not off putting, and I found the end intriguing rather than frustrating, even though I can’t say I’m entirely sure what happened. It’s a book you’ll want to discuss with someone – if your book group likes to try something unusual, this would be a good choice. Spending several hours reading Himmer’s fine prose is always a pleasure. If you’ve resolved to read something different this year, try Fram.

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What a complete hoot this book is. I thoroughly enjoyed it, especially because the Computer Scientist, my brother, and family friends worked or still work at Microsoft. We lived in Seattle for five years and I can assure you that Maria Semple‘s send-ups are hilariously spot-on.

Semple satirizes (affectionately, I think) Seattle’s many recognizable quirks. The large population of the newly well-off. Geeky outdoorsy-ness. The weird juxtaposition of political correctness, a publicly professed creed of “niceness,” and nimbyism. The blackberries that cannot be defeated even when torn out with special equipment. The competitive private school culture, combined with a desire to keep kids “real.” The strange combination of wealth and consumptionism with DIY spirit and zealous affirmation of “groundedness.” And she seasons it all with cultural and geographic references too numerous to recount.

But I digress. Enjoyable as it was for me to recognize these things, the book is funny and smart whether you’ve been to Seattle or not. No matter where you live it would be hard not to laugh at Semple’s trenchant portrayal of dysfunctional families, social aspirations, and neighborhood feuding, made more public by modern technology.

Where’d You Go Bernadette is about a pair of eccentric geniuses: Bernadette Fox, a MacArthur genius architect whose masterwork was destroyed in L.A. twenty years earlier by a vindictive neighbor she’d clashed with and Elgin Branch, TED talk star, workoholic inventor geek pioneering mind-activated robotics at Microsoft. Bernadette and Elgin have one daughter, Bee, born with a heart defect but brilliant and about to go off to boarding school, as her parents both did.

Bee asks for a trip to Antarctica to celebrate. Bernadette’s unhappiness with Seattle, with the privileged “gnats” as she calls the school mothers who don’t like her, and her social awkwardness come to a head. She hires a “virtual assistant” in India to handle the trip details and plots how to get out of going.

Meanwhile Elgin misinterprets his wife’s loopy behavior as either mental illness or drug addiction and plans an intervention. Several hilarious misunderstandings later, Bernadette disappears and Bee tries to find her. That final section of the novel, where Bee tells her version of things, is wonderful. It tempers the satire a bit with real emotional depth and the reveals the truth beneath the zaniness — this novel is a love story.

Every unhinged thing Bernadette does is grounded in her fierce love for Bee, who thrives because of it. Elgin and Bernadette have lost their way with each other but readers sense that beneath it all, they also have an unbreakable bond.  And they both love their inner worlds, the private creative processes that makes them such brilliant and innovative people.

Semple’s assertion, it seems, is that people need to be who they are, and society — especially privileged society —   beats down the very people it holds up as geniuses when they find themselves unable to conform. She also spotlights the everyday in-your-face rudeness we’ve come to accept. From entitled neighbors to pushy panhandlers to opinionated alpha-Moms, Bernadette can’t take it anymore; ironically that makes her part of the rudeness cycle.

But there’s redemption in this novel, and even nasty neighbor Audrey, Bernadette’s gnat nemesis, has a major change of heart. By the end of the book, much of the messiness is resolved, and you get a feeling things are going to work out. I love that it’s neat  but not too neat — Semple let’s us come to our own conclusions.

Bee is just a terrific character — still a kid, precocious but never without the innocence and emotion of a real middle-school girl.  And like many smart, mature kids, still very attached to the small rituals and touchstones of childhood, things the adults around her don’t necessarily see or appreciate. Few authors get “tweens” right and Semple does it perfectly, I think.

And I loved the form of this book, which is perfect for the story. Semple uses regular narrative, email, reports, presentations, faxes, transcripts — a melange of the material at-hand in her characters’ lives, like Bernadette’s architecture (her most famous work is a house made entirely of items sourced within 20 miles), like the former girls’ school partially converted into a residence where Bernadette, Elgin, & Bee live, like a community. There’s a very good reason for this hodge-podge which I won’t give away.

Seattle, Semple also reminds us, is not always as cloudy as you’d expect. Semple lets the best bits peek through. Again I think her specific city is just an example of all the hassles of modern life – get past the superficial, loud, overly-busy bits and you can make real connections.

Which after all is what the best books help us do.

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September’s Mindful Reader column is up on the Concord Monitor** website. Check out my review of Cascade, by Maryanne O’HaraRise by L. Annette BinderThe Adventures of Ed Tuttle, Associate Justice, & Other Stories by Jay WexlerUnderstories by Tim Horvath; and Park Songs: a Poem/Play by David Budbill.

This weekend I read The Uninvited Guests by Sadie Jones  — a very fun romp. The book combines the social wit of Jane Austen with the eccentricity of Alan Bradley (author of the Flavia de Luce mysteries), a dash of Julian Fellowes, and a bit of wild stagecraft Shakespeare could love. In fact, if you’re a Downton Abbey fan pining for season three, this might be a quirky distraction.

The book opens at a crumbling great house, Sterne, in 1912, on the morning of Emerald Torrington’s twentieth birthday. Her mother is preoccupied with her stepfather Edward’s trip to Manchester, where he plans to ask an unpleasant business acquaintance for a loan to save Sterne. As the day unfolds there is a visit from a potential suitor, John, a self-made man who Emerald doesn’t really want but who has plenty of money. A telegram from her childhood best friend, Patience, whose mother has come down with influenza. And news of a terrible train crash on a branch line nearby, resulting in the uninvited guests, who the Torringtons must take in after their ordeal.

The housekeeper, Mrs. Trieves, and Emerald’s mother, Charlotte, are dismayed to find a man they once knew has crashed Emerald’s party, claiming to be the sole first class passenger among the train wreck victims. Everyone can see there is some sort of secret among these three. Meanwhile the eccentric little sister, Imogen, known as Smudge, takes advantage of the chaos to smuggle the family pony, Lady, into her room to sit for a portrait.

Emerald finds herself strangely drawn to her best friend’s brother Ernest, a medical student who has escorted his sister to Sterne in place of his mother, and Clovis finds that Patience, who he used to find annoying, is actually not anymore. As the party takes stranger and stranger turns. The finely dressed guests and hosts (except for Charlotte, who retires to her boudoir to sulk) end up serving the carefully prepared multi-course birthday feast to the train passengers.  They sit in their spoiled finery making a meal of the bits and pieces. And the strange “gentleman” entices them into a humiliating party game.

In the frenzy of emotion and tension that follows, all of the twists of the day resolve themselves and in Shakespearean fashion, many matches are made. The pony is led back downstairs. And in the morning, once the mess is cleared and the uninvited guests are gone (and their nature made clear), Edward returns with news of a strange turn of the family’s affairs.

If I’m being unspecific it’s to save you, dear readers, from a series of spoiled surprises. The Uninvited Guests is such a delightful literary romp that I don’t want to ruin the fun.  Just imagine an Edwardian house party with “dark surprises” as the jacket blurb surmises, plenty of social satire, and a rather arch look at human nature.

 

** Text if you can’t find it online:

Finding balance

Deb Baker

Monday, October 22, 2012

Cascade, by Massachusetts author Maryanne O’Hara, grew out of three story ideas. O’Hara didn’t really know how the stories might connect but sensed they should. The result is a historical novel that focuses on Desdamona Hart, or Dez. She has come home to Cascade, Mass., in 1935 after art school in Boston and travel in Europe, determined to help her dying, bankrupt father save his Shakespearean playhouse. She marries Asa Spaulding, a pharmacist, who takes them in.

Her father thickens the plot by leaving the theater to Asa. Dez wants to paint and to keep her promises, so for a time she tries to ”have it all” as both a dutiful wife and an artist. She takes portrait commissions to resurrect the theater as her father asked. Anyone who has ever juggled responsibilities while trying to pursue work they love will understand her struggle.

Dez befriends Jacob, an artist and peddler, and their friendship sustains her as she tries to fit back into small town life. Meanwhile Asa is pressuring her to start a family and disapproves of another man spending time with his wife.

And Cascade is under persistent threat from the water authority, which plans to flood the town for a reservoir.

Her postcard series about Cascade’s possible destruction becomes a regular feature in The American Sunday Standard, whose editor invites her to illustrate for the magazine in New York. She and Jacob become the subject of town gossip when a man working on the reservoir plans is found dead on Asa’s land with Jacob’s truck nearby. Dez risks everything to clear his name, and Jacob leaves for New York and a job in a New Deal art program.

In the aftermath of this episode, Dez has to choose – stay with Asa, pursue Jacob, or simply follow her dream of a career in art, regardless of the men in her life. The burden of the playhouse, which she must persuade Asa to move before the town is flooded, weighs heavily. I found myself having nasty thoughts about her father, who appears to have cared more about his theater than his only child.

 O’Hara touches on issues familiar to contemporary readers, such as the conflicts surrounding public works projects and eminent domain, or the painful gossip and bigotry that sometimes plague small towns. She tells a very interesting story about an unsettling time in history as well, during the Depression and the run-up to World War II. And she tells a timeless one too, about a woman working to balance her promises and her passion. I enjoyed each aspect of this atmospheric novel.

Short fiction and a poem / play

I also read three short-story collections and a poem/play: Understories by Tim Horvath, Rise by L. Annette Binder, The Adventures of Ed Tuttle, Association Justice and other Stories by Jay Wexler, and Park Songs by David Budbill.

Horvath is a professor at New Hampshire Institute of Art. The pieces in Understories not only share a philosophical, whimsical, darkly humorous aesthetic, but also seem to come from a world that resembles ours but is riddled with portals into imagined places beyond anything you or I could dream up. I loved the way reading these evocative stories left me feeling slightly off-kilter.

The Conversations, which I read as a satirical poke at the breakdown of civil discourse, and The Understory, about a German botany professor who escapes Hitler’s rise to power, settles in New Hampshire, and loses many of the trees on his land in the 1938 hurricane, are two of my favorites. Horvath doesn’t just tell a story, he gives readers a window into the hearts, minds and souls of his characters.

Binder, a part-time New Hampshire resident, fills Rise with fantastical details: a giant woman who is half-angel and still growing in her 50s, a boy who sees shadow-like halos over the heads of people who will die soon, a child who only speaks dead languages. At the same time, her stories are about everyday realities, such as people dealing with illnesses or struggling to get along. Rise is a book about transcending life’s emotional and psychological turbulence.

Wexler, a law professor at Boston University, has written a zany collection of stories that had me laughing out loud. In one, Henry Clay advises a teen and her mother on college. Another is written as a script for a sitcom pilot about a prison’s death row.

Wexler hits on a number of brilliant ways to skewer government and politics, such as a story about a man filing a ”horn incident report,” and another in which Sonia Sotomayor’s confirmation hearing is conducted by the 1977 Kansas City Royals instead of the Senate Judiciary Committee. The Adventures of Ed Tuttle, Associate Justice is offbeat, absurdist and thought provoking.

Budbill is a Vermont poet and playwright whose work reflects his father’s advice, ”Stick up for the little guy, bud.” Despite its genre-bending, Park Songs: a Poem/Play is a very accessible book about people in a city park on a single day. In addition to R.C. Irwin’s ”absurdist and nostalgic” photographs, traditional blues lyrics complement the dialogue. Budbill’s note to readers suggests that any parts of the book could be staged, that a blues band could act as a Greek chorus, and that ”Let’s Talk” could be its own one-act play. That section features very funny, touching banter between Fred, who is lonely, and Judy, who is reading in the park because she wants to be alone. Budbill captures the essence of human communication – the misunderstandings and connections, hurts and expectations – in one scene on a park bench.

With fall around the corner you can curl up on a cool evening with any of these books and enjoy fictional worlds grounded in very realistic human hopes and struggles.

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In February, the Teenager and the Computer Scientist took a trip to England. I traveled to England through books, as well as to Greece, Russia, Israel, Peru, China, India, Morocco, Kenya, Uganda, and Nigeria, plus Virginia and New York. Sounds like a poor substitute for actual travel, but I made it to more places. I’ve always enjoyed vicarious travel through books, especially in the long gray months of winter. I love traveling, but in the mean time, books are a good way to get away.

While the boys were in London, I was reading Lynne Olson’s Citizens of London. Gibson’s co-hosted her reading at the NH Historical Society library last week. Her book is amazing — I’ve read a fair bit about WW II, but she tells stories I’d never heard before. In particular, she writes about the crucial role the American Ambassador to Great Britain, John Gilbert Winant, played in forging and maintaining the Anglo-American alliance.

It is a real shame that Winant is mostly forgotten today. He was a politician, but one whose ideals trumped party loyalty. He was a man with a privileged background in a position of power and influence, but he walked the streets of London during the blitz, lending a hand and asking people how they were doing. He was both a great thinker — his vision for a more just postwar world inspired everyone from cabinet ministers to striking coalminers — and a humble public servant. He eschewed luxurious quarters for a simple flat and made a habit of seeing ordinary people without appointments, while “important” visitors cooled their heels outside his office.

Olson brings Winant to life, along with Averell Harriman, Edward R. Murrow, and a host of lesser known Americans who worked to support England in her “darkest, finest hour,” to bring America into the war, and to defeat fascism. Some of Olson’s stories about America looking out for its own interests while London burned made me sick. I had read a bit about how desperately Churchill pleaded for America to enter the war in Paul Johnson’s book, Churchill. I did not know Truman cut off food aid to Britain after the war, nor was I aware that England didn’t finish paying off its American war debt until 2006.

Roosevelt doesn’t come out looking very good in Olson’s book — nor had he in Paul Johnson’s biography of Churchill, which I read last month. But Harriman’s story is fascinating, as Olson shows him growing into a real diplomat after manipulating his way into politics as a rich, ambitious business man. Some of the minor characters Olson introduces are also very interesting, like Tommy Hitchcock. He popularized polo in the U.S., was a model for two of F. Scott Fitzgerald’s characters, and a leading figure in saving the allied bomber program during WWII.  Until Hitchcock, Winant, and others finally prevailed on war planners to send fighter pilots to escort our bombers, they were regularly shot down.

If all of this sounds dry, it’s not in Olson’s talented hands. She manages to make relatively obscure, potentially boring historical topics like the Lend Lease program and the intricate bureaucracy of the Allies’ war planning come alive with good storytelling and fascinating characters.  Olson also tells personal stories of wartime romances between Churchill’s daughter Sarah and Winant, and Churchill’s daughter-in-law Pamela and both Harriman and Murrow.  And, as Olson told the audience at her reading, despite the bombing and deprivation, London was the most vibrant place in the world during the war. Olson certainly makes it vibrant with her descriptive, vivid passages about wartime life.

Another book set in England, this time contemporary England, that I enjoyed this month was Major Pettigrew’s Last Stand by Helen Simonson.  This novel struck me as a sort of twist on the aga saga; Major Pettigrew is the main character, and we also meet his son and some of his friends, but he faces classic “aga saga” issues, like mourning a spouse, getting along with his grown child, seeking companionship in his twilight years, finding ways to make a difference, and getting involved in local issues after many years of being otherwise occupied. Simonson addresses classism, racism, consumerism, and religious discrimination with empathy and humor, in a novel that might amuse Jane Austen with its gentle social skewering.

But Major Pettigrew manages to be more than a contemporary novel of village manners. Simonson delves into the tensions British citizens of South Asian descent feel when they are mistaken for foreigners, the age old problem of belonging to two cultures, and even the struggle of honoring religious faith without veering into extremism.  She also weaves a subplot around development versus land preservation, without making either side seem villainous (an ensuring both have a shot at acting ridiculous).  And the book’s love story is tender and realistic, and like the Major, charming.

Joe Hill was at Gibson’s a couple of weeks ago and as we chatted but what we’d each been reading, he recommended City of Thieves by David Benioff.  At the beginning of the book a young man sits with his grandparents and asks what it was like in the war, during the siege of Leningrad. The rest of the story is what the grandfather tells him. It’ll keep you turning those pages even after you realize you’ve stayed up too late.

Like Simonson, Benioff deals with serious issues via comedy, but his humor is much darker. He also introduces characters which could easily become cartoonishly “typed” — the Nazi SS officer, the wealthy Russian colonel whose family feasts while Leningrad starves, the young heroes — Benioff gives them each personality and none of them falls flat. I enjoyed the historical details worked into the story, as well as Benioff’s delightful dialogue and his main character Lev’s inner monologue.  It’s a quirky, well told tale.

Another quirky, quick read I enjoyed this month is Zachary Mason‘s The Lost Books of the Odyssey. Mason re-imagines many of Odysseus’s adventures in shards and fragments, which are meant to be newly discovered versions of the stories, left out of the “official” Odyssey. Like pieces of broken Greek pottery, some scenes are easier to make out than others.

I especially enjoyed a story in which two Odysseus’s converse — and you have to concentrate to follow which is the real one, and which the imposter. A fresh take on the Cyclops’ tale, told from his perspective as Odysseus’s victim, was also intriguing. Mason makes readers wonder if stories, like geometric models, might hold their shape but look different from each perspective —  the way the juncture of an angle look different when rotated, a flat face offers one view straight on and another one seen from above.

This idea that perspective changes the story is true in The Caliph’s House: A Year In Casablanca by Tahir Shah. Shah left London a few years ago to move his family to a large, crumbling villa in Casablanca. Although he’d visited Morocco, living there brings a series of challenges, cultural and philosophical, as he tries to renovate the house without angering its resident Jinns, settle his young family, get along with the neighbors (some of whom don’t seem to want him there), and learn about his beloved grandfather‘s final years in Morocco.  Ultimately his wife tells him if he wants to put all these demons behind him, he has to “be like a Moroccan.” The book is exotic and fascinating, and I’d like to read more of Shah’s books.

Last Friday, Ted Conover came to Gibson’s to discuss his new book, The Routes of Man: How Roads Are Changing the World and the Way We Live Today.  Conover traveled around the world to tell the story of six roads in places as different as tropical Peru and Palestine. In each place he got out on the road with locals, so the stories he tells are not just of his own travels but of the lives of the people he meets.  Conover manages to be both a fan of roads and a fair observer of both the troubles they bring, and the benefits. I liked that he didn’t give pat analysis but left readers to ponder the balance of progress and problems, both human and ecological. This is a book with heart.

Earlier in February, I enjoyed a novel that also examined “progress” and how we deal with it, socially, culturally, and technologically. I’m a huge fan of Jasper Fforde‘s mind bending literary thriller series, especially his Thursday Next books. But in Shades of Grey, Fforde outdoes himself.

Set in Chromatacia, a dystopian society in what was once England, this novel is wacky, rollicking fun with serious undertones. Chromatacia is divided along color lines. The colors people can see determine their status, work, and mate. This highly regimented society arose after the fall of our own, which is preserved only in artifacts and ruins; Fforde alludes to a disaster, but it’s not clear what happened.

As in his other books, Fforde pokes fun at government bureaucracy, class consciousness, and human nature; he is wickedly funny, even as he addresses issues that are often depressing in real life. Fforde’s imagined new world is so detailed and nuanced, I am simply in awe of his creativity. But he isn’t just imaginative, he’s also a good storyteller, who makes you root for and against the zany cast he’s assembled, and wish the book wouldn’t end. Luckily, a sequel is already in the works.

Another book that left me hoping to hear more from the author in the future is In An Uncharted Country, by Clifford Garstang. He’s coming to the store this week to read from this collection of linked stories set in Rugglesville, Virginia, a small Appalachian town. A customer recommended we invite him, and since then I’ve learned March is Small Press month, so it’s a good time to welcome a talented small press author.

I enjoyed the way Garstang wove different generations’ stories together. I especially liked the way “Flood, 1978,” “The Hand Painted Angel,” and “The Red Peony,” worked together.  But I also enjoyed “William and Frederick,” which was less directly related to the other stories, and “The Nymph and the Woodsman,” which is simply beautiful, and tragic. Actually, there wasn’t any story I didn’t care for, and I can’t remember the last time I read a collection where at least one story didn’t disappoint.

While the boys were away, I took the Preteen to browse Manga. We’d tried looking online, but it’s difficult to pick books that way. She is not interested in Manga with “lovey dovey” storylines, instead preferring stories of magic, hold the kissing. She ended up with Hollow Fields, Hibiki’s Magic, Big Adventures of Majoko, and Tokyo Mew Mew. She liked Hollow Fields the best, by far — lots of mad scientists, robots, and flashbacks in time. She’s taking a Manga class and that has piqued her interest in the genre.

We took her to see the new Alice In Wonderland movie, so she is reading Alice’s Adventures In Wonderland, in a pretty illustrated version we found at the library. She also read a fun graphic novel called Wonderland, by Tommy Kovac, which is about Mary Ann, the White Rabbit’s maid. And I found another library book she hasn’t started yet called The Other Alice, all about Alice Liddell. I also cut out this great op-ed from the NYT called “Algebra In Wonderland.”

The Teenager took a couple of books on the trip, but ended up having such full days that he went straight to bed. He has a cold, which morphed into “Atypical Pneumonia.” So he’s laid low all week. On the first morning after the antibiotics began to make him feel better, I found him with a pile of photography books, including a Eliot Porter: The Color of Wildness and Porter‘s In Wildness Is the Preservation of the World (thanks, Grandpa and Jan) and The National Geographic Ultimate Field Guide to Photography. He took some awesome photos on the trip, which you can see at his Flickr stream.

He also picked up Three Steps to the Universe: From the Sun to Black Holes to the Mystery of Dark Matter. He was telling me today that he’s always been fascinated by space and astronomy. In fact, while he was gone, the Preteen and I watched some home videos (she had a cold, too, and that’s something she likes to do when she’s not feeling well), and I got a kick out of seeing the scale drawings of the planets we made, colored, and hung across the playroom walls when they were small. We also enjoyed seeing his diaper box space shuttle, with soup can exhaust pipes. It’s nice to see him continuing to enjoy his interests, with a good read.

The Computer Scientist also took books on the trip. He read another Dennis Lehane novel, Shutter Island. He said it was captivating enough that he thought about it between reads, and enjoyed the way Lehane kept readers guessing right up to the end. He also read some graphic novels recently, including an adaptation from one his all time favorite books, The Stand, and The Ghost In the Shell.

While in England, the boys visited Blenheim Palace, home of the Duke of Marlborough, and birthplace of Winston Churchill.  He took Paul Johnson’s Churchill along, and enjoyed that it was concise but gave him a complete overview. He also bought a book of Churchillian witticisms at the War Cabinet Rooms and Churchill Museum.

What books are we all looking forward to? The Preteen went on another Manga foraging trip last weekend and has a few new titles.  The Teenager has some British soccer magazines stockpiled. The Computer Scientist has a couple of books I recommended (including Citizens of London and City of Thieves). I see a few books on his nightstand, too.

I have more books from authors coming to Gibson’s soon, like Ben Hewitt’s The Town That Food Saved, and I’ve requested a couple of the books at the library, including The Girl Who Fell From the Sky.  In April the Gibson’s Book Club is discussing Robert Pinsky’s translation of The Inferno — with Mr. Pinsky joining us via Skype at Red River Theatres — so I need to read that. I also have an intriguing memoir in my stack, Making the Grades, about the author’s experiences in the standardized test industry, and an advance copy of a new novel due in April about a summer in Louisa May Alcott’s life.

I’d better go dig in.

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