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Posts Tagged ‘vacation reading’

Ok, Wildwood: a Journey Through Trees I mostly read before vacation, but finished on Saturday. Roger Deakin, who died before this book was published, was a fascinating man. He renovated his Elizabethan farmhouse, which was more or less a ruin when he bought it, and was well known for his nature writing. What I most enjoyed about Wildwood is his delight in his subjects, whether the rooks in a nearby wood, the people who love the natural world as he does, artists, trees, hedges — he was apparently insatiably curious about the planet and the people on it and I learned all kinds of interesting things as I read, from how cricket bats are made to where apple trees originated. I found this book while shelf-reading (a project in libraries, in our case undertaken every summer, whereby staff compare a list of books that should be on the shelf to the actual books on the shelf, to check that they are where they should be). It was a serendipitous find of the highest order. I’d like to read Deakin’s other work, if only for the language. Here’s a bit from a chapter on a trip to the Pyrenees:

“We collect sweet, fresh chestnuts, easing them from their hedgehog husks. Following a steep-sided holloway veined with the exposed roots of beech, holly, hazel, chestnut, maple, ash, and oak, we drink from the woodland springs. As noon approaches, crickets begin singing hesitantly, and young lizards venture on to the sunny track.”

Even if I wasn’t already interested in his subject (and I am a little bit tree mad since reading The Hidden Life of Trees), I’d read that all day.

On our vacation to Maine last week — the first weeklong trip the Computer Scientist and I took alone in nearly three decades — I packed only a few books. One I’d been wanting to read for some time: The Peabody Sisters: Three Women Who Ignited American Romanticism by Megan Marshall. I reviewed her book about Margaret Fuller back when I was still writing a column, but this book came to me via my neighbor, who loved it. You may recall I wrote here about her family inviting me to choose books from her collection after she died — this was one of those titles. I’d been waiting for a good time to read it. I figured a week in Maine was a good time to take on a meaty history book and it was. I really thoroughly enjoyed it, both because the Peabody sisters are fascinating women and because I love learning about the history of New England in the nineteenth and early twentieth centuries.

Marshall spent twenty years working on this book, explaining in her introduction that she had to learn to read the sisters’ handwriting and that of their family and friends in order to complete her research. I really respect the effort that went into the book, and the fascinating details of the may interwoven lives the Peabody sisters touched. If you don’t know much about them, the eldest, Elizabeth, coined the term “transcendentalism” before any of the men who later made it famous, and was an incredibly gifted thinker and writer. Her legacy to aAmerica, among other things, is kindergarten. Mary, the middle sister, was a teacher and writer who helped Elizabeth with her work and later, helped her husband, Horace Mann, with his. The youngest, Sophia, was an artist and also married Nathaniel Hawthorne. Marshall brings them and the people they knew to life, illuminating the social, cultural, and religious environment that shaped them and the day to day lives they led. I thoroughly enjoyed The Peabody Sisters and would like to wander around Boston and Salem visiting the places where these fascinating women lived and worked. I’d also like to read biographies of some of the rest of their circle, starting with Horace Mann.

When I was just about finished with The Peabody Sisters we visited Elements, a used bookstore, coffee house and bar in Biddeford (much like Book & Bar in Portsmouth. I was fairly restrained in my purchasing, but I did buy Gramercy Park: an American Bloomsbury by Carole Klein. It seemed to be similar in spirit to Marshall’s book; rather than covering one family’s impact on a period, it covers one neighborhood’s impact on several periods. Klein begins with Samuel Ruggles, who wished to preserve some open space as Manhattan expanded north, and began planning to create the neighborhood with its exclusive park in the center in 1831. By the 1840’s homes were being built around the park. Straight through the 1930s, when Klein’s book ends, a parade of interesting New Yorkers lived in Ruggles’ lovely neighborhood, and many more visited. I enjoyed reading about the many writers and artists but also about people I knew less about, like architect Stanford White and inventor and Cooper Union founder Peter Cooper, critic, novelist, artist Carl Van Vechten (who was a close friend of Gertrude Stein, James Weldon, Langston Hughes, Bessie Smith, and F. Scott Fitzgerald). Again the book made me want to walk the neighborhood — I’ve been to the Strand several times and never realized how close I was to Gramercy Park. Klein wrote several other books that I am interested in tracking down.

My final vacation read was a collection of William Trevor’s short stories, After Rain, that I found on the free cart at work (librarian benefits: we see donations before anyone else does). I’d never read the much acclaimed Trevor but as longtime bookconscious readers know, I enjoy short fiction. This book was a little sadder than I am in the mood for lately — world, local and family events offer enough difficult emotions for the time being. But I persevered because Trevor really is a master at this form. “The Piano Tuner’s Wives” and the title story were my two favorites. The former opens simply: “Violet married the piano tuner when he was a young man. Belle married him when he was old.” The story goes on to tell of the two marriages, “He had given himself to two women; he hadn’t withdrawn himself from the first, he didn’t from the second.” It’s a lovely story.

“After Rain” is set in in a little “pensione” in a small town in Italy where a woman named Harriet visited for years with her parents, and has fled when a relationship ended. In a rain storm, Harriet takes shelter in the “Church of Santa Fabiola” and looks at an Annunciation, “by an unknown artist, perhaps of the school of Filippo Lippi, no one is certain.” When Harriet walks back to her hotel, she is still thinking of the painting: “While she stands alone among the dripping vines she cannot make a connection that she knows is there. There is a blankness in her thoughts, a density that feels like muddle also, until she realizes: the Annunciation was painted after rain. Its distant landscape, glimpsed through arches, has the temporary look that she is seeing now. It was after rain that the angel came: those first cool moments were a chosen time.” Beautiful. And true — I’ve felt that way, where the connection I was trying to make was just beyond me.

The painting Trevor refers to is this one:

annuncia

Annunciation
1497
Panel, 176 x 170 cm
Duomo, Volterra, by Fra Bartolomeo and Mariotto Albertinelli

I wrote not that long ago about attending a talk at the Isabella Stewart Gardner Museum about another annunciation painting and buying a book abut the exhibit. On Sunday, just before we moved the former Teen the Elder (now nearly 24) out of his house in Boston, we stopped at the Museum of Fine Arts to see the Botticelli exhibit, which included some works by Fillipo Lippi. I’ve always loved when my reading and life intersect.

 

 

 

 

 

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We just got back from a week in Isle la Motte, one of the Champlain Islands in northern Vermont. Even though this year we spent a day in Montreal, I still somehow read eight books and finished a 9th (and nearly a 10th):

I finished Getting Schooled by Garret Keizer, which I’m reviewing in September’s Mindful Reader column, and which I loved — Keizer writes about a year in which he returned to teaching high school after 14 years. He recounts a bit about his earlier years teaching, his writing career, and the changes he observes, culturally and in the world of education, in his small Northeast Kingdom town. And the day we were leaving I was up early and very nearly finished Every Day in Tuscanby Frances Mayes. She writes about post-fame life in Cortona and includes recipes as well.

I read (in no particular order)

Ben Winters’ World of Trouble, the 3rd in the Last Policeman trilogy. A friend told me before I left for vacation that it was the best of the three and she is right. She also warned me it’s sad; also very true. I thoroughly enjoyed it, especially the ending, which could have been awful, but Winters write it beautifully. One spoiler: it’s not set in Concord, NH, like the first two in the series. But Hank Palace is still the last policeman, and I continue to admire his heart and dedication, his refusal to quit in the face of ridiculous odds, and his selfless pursuit of the truth.

Netherland by Joseph O’Neill. This book is a “big” novel from a “big” author (his latest book, out in September is already on the longlist for the Booker Prize). Various reviewers compared it to The Great Gatsby and referred to it as a 9/11 novel, an immigrant novel, a great American novel, and a post-colonial novel. I thought it was an interesting story, well told, but I was a little doubtful about the marital problems of the main character, Hans van den Broek, and his wife Rachel. Basically she is so rude to him that I had a hard time believing he’d keep wanting to work it out, but I suppose love is strange. When the book opens, Hans has learned that an old friend, Chuck Ramkissoon, a Trinidadian cricket referee and businessman with dreams of building a cricket stadium in New York, was found murdered. He reflects on how his friendship with Chuck developed after 9-11 when Rachel moved back to London with their son.  If I had to boil down what I thought Netherland was about I’d say it’s about isolation.

Breakfast with the Nikolides by Rumer Godden. I loved Impunity Jane when I read it to my daughter years ago, and this book had been calling to me from the used book section at Gibson’s for weeks when I finally bought it. When the book begins, Louise Poole and her two daughters, Emily and Binnie, have arrived in India where Charles Poole has been living, estranged from his wife and alone for many years. As the novel unfolds, readers learn more about the troubled family as well as the agricultural college Charles has helped build. We meet Narayan Das, a veterinarian, who scorns traditional Hindu beliefs and traditions and despises the caste system. And Anil, a Brahmin student who is only studying agriculture because his father insists, but really prefers writing poetry. When Emily’s dog dies, all of these characters’ play a role in the drama; most of them experience an epiphany of some sort. A satisfying, evocative read, which left me with much to ponder.

Marrying Off Mother and other Stories by Gerald Durrell. Longtime bookconscious readers know I adore Durrell. My Family and Other Animals remains of my favorite memoirs ever.This collection of stories is based in fact; some of the pieces have the same tone as his memoirs. Durrell is a unique writer, whose work is suffused with his love of the natural world as well as his warmth and the joy he seems to take in his unusual life. He also has a terrific sense of pacing; I always imagine it would be best to hear his work aloud.

This Close by Jessica Francis Kane. Another story collection, some of them linked, about people and their relationships with each other and with society. I liked it — not too dark, not too light, interesting characters. Kane’s stories remind me a bit of Ann Beatty’s. This is fiction about feelings, heavier on interactions than actions. But you don’t come away feeling like humanity sucks when you’re through reading this collection, which is good for a vacation read.

And the best for last:

A Long Way from Verona by Jane Gardamone of my favorite authors.  I was really looking forward to this one and it didn’t disappoint. Gardam’s writing is exquisite and this story really grabbed me. Gardam captures adolescence beautifully, and her main character, Jessica Vye, reminded me of myself in some ways — feeling different than everyone else and being both glad of it and repulsed by it. Every character is interesting, and not a word is misspent. I am not sure I can even put into words what it is about Gardam that I love so much; I always wish her books would never end.

Unapologetic by Francis Spufford. Like a long, cool drink of water on a hot day.  Spufford is witty and clear, and doesn’t pretend to have all the answers, but nonetheless writes about contemporary faith in a way that is both reassuring and challenging. This book is his answer to Richard Dawkins and Christopher Hitchens, and I enjoyed it. I don’t think it would convince atheists to change their minds (at least not the ones I know) but it might convince them to allow that not all believers are mindless idiots, and that alone makes it a great contribution.

Call the Midwife by Jennifer Worth. If you’ve seen the BBC series, his is the first of three memoirs by the real Jennie in the series. She writes with great affection about the community of nurses and nuns where she lived and worked in London’s East End in the 1950’s. It was a perfect book to read after enjoying Alan Johnson’s This Boy. I intend to find and read Worth’s other books as well. She was a remarkable lady and her writing is vivid, cheerful, clear, and reflective.

 

 

 

 

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Last week the bookconscious household visited Isle la Motte, Vermont. We rented a cozy cottage on the west side of the island, with copious views of Lake Champlain and its gorgeous sunsets. We walked, biked, ate large breakfasts of fresh local eggs accompanied by many pork products, picked raspberries, visited farm stands, grilled most of our dinners, made s’mores (a first for the Computer Scientist) over a camp fire, kayaked, canoed, looked at the lovely blue moon, sampled local maple creemees, apples, cider donuts, ice ciders, and beers, and relaxed. It was a really perfect end of summer week, and a memorable family vacation.

I took along four books and ended up reading all of those plus three and a half more on my iPad. It was heavenly. Spending long stretches of time lost in a book brought back my childhood summers and the joyful sense of freedom I felt, reading as long and as much as I wanted.

Most of what I brought had been in the “to-read” pile for some time: Dave Eggers‘ novel A Hologram for the King (funny and touching but felt to me like an overgrown short story), Margaret Drabble‘s novel based somewhat on her family history, The Peppered Moth (Wow! An amazing multigenerational story that’s also a kind of social history of women; I want to read everything Drabble has ever written!), Elinor Lipman‘s essay collection I Can’t Complain (sealed my previous view that Lipman is not only someone I’d like to know but also someone I’d like to be), and Paul Harding‘s forthcoming novel Enon (both devastatingly brilliant, as I expected it would be, and just plain devastating).

The three e-books were: Aimee Bender‘s The Color Master (short stories, which I checked out of the NH Downloadable Books website while giving a demo to a patron at the library a few hours before we left for Vermont because I remembered that Ann Kingman recommended it on Books on the Nightstand; I liked some pieces, including the title story, but didn’t like others), Virginia Woolf‘s Mrs. Dalloway (I had somehow managed not to read this yet, and I loved it), and Katharine Britton’s Little Island (which I’ll review in September’s Mindful Reader column).

The book I started on vacation and finished yesterday, also an e-book from the library, is Anthony Marra‘s A Constellation of Vital PhenomenaLongtime bookconscious fans know I am generally suspicious of “It” books that the literary industrial complex promotes heavily. I tend to be a contrarian about books I’m told I will love. Besides, with works like Mrs. Dalloway still to read, I’m not interested in every hotshot emerging writer that comes along. But in this case, the hype is justified. Marra is so young; like Tea Obreht, author of The Tiger’s Wife, it’s hard to imagine how with relatively little life experience he managed to tap the emotional range required to conjure his characters, people of various ages living in war torn Chechnya. Which he didn’t even visit until the book was nearly finished. And like Obreht he blew my mind.

Great literature is emotionally evocative and universally relatable — it takes you so richly into the characters’ experience that it doesn’t matter whether it’s set in a place and time and culture you are unfamiliar with. I’m probably never going to live in a war zone, God willing. I knew only a little bit about Chechnya before I read this novel. But I ached to the core for these people, and Marra’s stunningly beautiful writing had me both turning pages and savoring, even the sections full of violence and horror that in lesser hands would have made me skip. It was especially moving to read in light of the conflict in Syria, as I followed the news and tried to imagine what it’s like for ordinary people caught in a civil war.

I’m really fortunate that I get to read so many good books. A Constellation of Vital Phenomena is beyond good.

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