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Posts Tagged ‘book reviews’

Despite a shovel-able amount of snow on Thursday we were one of the only educational institutions  around here NOT to have a delay. Still, bingo beckoned, so I kept working on my squares this week. Actually over the past couple of weeks I’ve been working on the “An ebook or an audiobook” square, listening to Paris in Love by Eloisa James, a memoir about her family’s year living on Rue du Conservatoire. At first I didn’t like the format, because the chapters are so brief, but I got used to that. I enjoyed hearing the author read, and what’s not to like about Paris? It was hard not to be a little envious, knowing that a year in Paris would never be possible for my family. But the descriptions of shopping, eating, and exploring the City’s many museums are irresistible. James is the pen name of Shakespeare professor Mary Bly, daughter of Robert Bly. It seems unfair that one person is so successful at two careers — as an academic and a romance writer — and lives variously in New York, Paris, and Florence. Did I mention it was hard not to be envious? But the author’s tone is very down to earth. I enjoyed it.

For “A book with a number in the title, ” I decided to read a Sherlock Holmes novel, The Sign of Four. Besides the mystery at the heart of the plot, this book also tells the story of how John Watson and Mary meet and get engaged. I’m a big fan of Elementary (Best. Watson. Ever.) and have also watched other big and small screen versions of the great detective’s tales, and we visited 221B Baker Street when we went to London.But I’d never actually read any of the Sherlock stories or novels, even though I have a library discard copy of The Complete Sherlock Holmes in two volumes.  I thoroughly enjoyed it and I can really see how well Benedict Cumberbatch and Jonny Lee Miller have incorporated things Sir Arthur Conan Doyle wrote about Sherlock into their portrayals of him.

For “A book about art or artists,” I am still reading Mrs. Jack but decided it’s really more about Isabella Stewart Gardner, so I read The Isabella Stewart Gardner Museum which is the official collection guide. If you’ve never been, the ISGM is different than other museums in many ways, one of which is that there are no placards on the walls explaining what you’re looking at. There are laminated room guides but when we visited last, I decided I wanted to buy and read the guide before our next visit. It’s an interesting read, because it tells a fair bit about the artists and their works but also how ISG came to own each piece and how she decided what to put together in the different rooms. It was really enjoyable and I look forward to going back to ISGM soon, I hope.

For “A book from the Children’s Room,” I chose a New Hampshire Downloadable book version of the highly lauded Last Stop on Market Street by Matt de la Peña, with illustrations by Christian Robinson. It’s a colorful portrayal of a boy and his grandma taking the bus from church to a soup kitchen where they volunteer. Along the way the boy, CJ, asks a LOT of questions, and his grandma gives interesting answers. for example: “How come that man can’t see?” “Boy, what do you know about seeing?” Nana told him. “Some people watch the world with their ears.” CJ and Nana are brown-skinned, and the people in the book are rendered in many shades, ages, sizes, and styles. CJ envies his friends who don’t have to go anywhere after church and don’t ride the bus, and some kids who get on listening to music through a set of shared earbuds. Nana has a reply to assuage each of his longings. It’s a beautiful book, although I was thinking that Nana may find in a few years it’s not so easy to try and explain the world to CJ, who clearly already has a sense of the disparities and disgraces of the world, “How come it’s always so dirty over here?” he asks, as he gets off the bus with Nana. She tells him, “Sometimes when you’re surrounded by dirt, CJ, you’re a better witness for what’s beautiful.” And they head in to serve lunch. A book that could lead to interesting conversations, for sure.

Feeling at loose ends for reading this weekend, at work I checked out a couple of Margaret Drabble novels I haven’t yet read, to choose one for “A book you haven’t read by an author you like,” and I started an audiobook memoir, Wesley the Owl: the Remarkable Story of an Owl and His Girl, for “A biography or memoir” on my commute today. That will leave me with “Any book in a series,” “Re-read an old favorite” and two “Reader’s Choice” squares before the deadline, March 3. Stay tuned!

 

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Last spring I read Where Do We Go From Here? Chaos or Community  by MLK, Jr. This week I finished Why We Can’t Wait, which was written four years earlier. King recounts the momentous events of 1963, including the actions undertaken by civil rights leaders and ordinary citizens in Birmingham, the cruelty and violence that the white establishment in Alabama, especially under Bull Connor’s leadership, perpetrated on nonviolent protestors that galvanized national support for the movement, and the March on Washington. And he writes, as very few others can, of his hope for the future. Last spring I found that encouraging. It was harder to feel hopeful this year.

In 1963, King believed that with continued effort, the nonviolent resistance would not only prevail in bringing about equality for black Americans, but that it had the potential to help bring about an end to economic injustice and even war as well. In the final section of Why We Can’t Wait King writes of his belief that “In measuring the full implications of the of the civil-rights revolution, the greatest contribution may be in the area of world peace . . . . Nonviolence, the answer to the Negroes’ need, may become the answer to the most desperate need of all humanity.” He was talking specifically about not only ending nuclear proliferation, but he armed conflict altogether. A few years later he was struggling to remind his own movement of the benefits of nonviolence in the face of calls for armed resistance to institutionalized racism; that made it very painful to read his optimistic words here.

The other thing I found disheartening was King’s description of Congress in 1963. He described a “stranglehold” by a minority devoted to preserving the status quo  (wealth and power, at the expense of justice) and called for “the growth of an enlightened electorate” to break this hold. Clearly decades later there is still a minority — people wealthy and powerful enough to hold office, — strangling the legislative process in this country. Enlightened is not a word I’d use to describe the electorate.

King also called for “a massive program by the government of special, compensatory measures which could be regarded as a settlement” for the violation of African Americans’ human rights since the beginning of American history. He cited Nehru’s efforts in India to end mistreatment of the Untouchables as an example. But as recently as this summer, the mistreatment of Untouchables in India made international headlines, and around the world in many cultures, there are comparable groups who are treated as lacking in human dignity. Even in America various privileged groups (I say that as someone who is privileged) demonize and discriminate against various “others” like immigrants, young black men, poor women, the mentally ill, muslims, etc. Would restitution have prevented the further entrenchment of institutionalized racism in America? I doubt we’ll ever know.

I think it’s common around the national MLK holiday (still observed as Great Americans Day in Biloxi, Mississippi) to wonder what King would make of the  continuing racial injustice in America. I don’t dare speculate, as a privileged white woman, but I like to hope that he would still believe love can win. On good days, I still believe that too. But re-reading Letter From Birmingham Jail and then reading about the way our president-elect went after civil rights veteran and U.S. Congressman John Lewis this week on social media, I feel as if love and progress have their work cut out for them.

 

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I was chatting with a professor at work last week about what we’d each read over the holiday break and he mentioned Slade House. Longtime bookconscious readers know I’ve enjoyed several other titles by David Mitchell, and actually The Computer Scientist had pointed out Slade House to me when it first came out, so I went to the stacks and checked it out.

It’s a trip of a book, from it’s strange little format (in the hardcover edition we have at the library, which is square and has a cut-out cover exposing an Escher-esque maze of stairs) to the idea of the novel itself – that twins Norah and Jonah Grayer have learned the secret of immortality. Both “engifted” with psychic powers, they hone their mystical skills until they have perfected luring other unsuspecting engifteds, usually people who are misfits in the world, and take what they need from them to go on living (I don’t want to give away the whole story). You can guess that doesn’t end well for the victims.

The other premise of the book is that Slade House, where the twins’ strange and nasty work is done, doesn’t exist in the physical plane of the world, but in an “orison” of a house that was bombed in WWII. The door to reach the garden of the great old house appears every nine years in Slade Alley. So the victims are from different decades in each chapter.

It’s a short book (it took me a week because I’m also reading another book), and it feels like an over-grown short story to me. I understand that it’s related to The Bone Clocks, which I haven’t read. I enjoyed Slade House even though it left me wanting to know more about both Jonah and Norah (I would have liked to have read about their growing up, discovering their gifts, and honing them — we get all that as backstory told by another character) and their victims, who we meet only as they are lured into Slade House. Still, Mitchell is a good writer and he tells a compelling tale.

I like the kind of story that makes you look around and think “What if . . . ?” as in “What if there really were engifteds around here somewhere?” Let’s face it even if you’re the kind of person who doesn’t believe in ghosts and never considers metaphysical questions, an awful lot of people do, and an awful lot of people claim to have experienced the presence of someone who is no longer in the physical world. I think as long as there have been stories, and as long as there are stories, people will place their hopes and fears about what happens when we die, whether a part of us (soul, spirit, ghost, or whatever you call it) goes on and if so where it goes, how existence works. So brief as it may be, Slade House, gets to the heart of that and its appeal is in this universal hope or fear (or both).

Back soon with the nonfiction book I’ve nearly finished.

 

 

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I’m not sure what to say about this book that will do it justice — it’s a good read, a novel that both tells a story and speaks truth, and it made me feel my white privilege acutely. Adichie manages to be both humorous and heartbreaking, and she takes readers into communities and cultures many of us don’t know. It you’ve read booksconscious for long, you know that for me, that’s pretty much the total package — good writing, truth, transport, compelling narrative. Oh, and characters who are alive.

Americanah is the story of Ifemelu and her childhood sweetheart Obinze. They come of age in Nigeria under military rule and both get fed up with the university strikes and decide to leave. Ifemelu follows her Aunty Uju to America, where she finds things are not what she expected. Obinze, denied an American visa, ends up trying his luck in England, where he has a cousin. I don’t want to give away details of what happens to each of them, but readers follow their struggles and successes until, full circle, the story returns to Nigeria.

Part of the story is that Ifemelu writes a blog about racism; in America she experiences being black for the first time (late in the book she tells a white American “I got off the plane in Lagos and stopped being black). The blog posts in the novel are particularly relevant, painful reading now.  She also writes in a refreshing way about the immigrant experience. I know refugees in my community, and I know how shocking it has been for them to come here and experience the reality of America as compared the image they held while waiting to come here. I hadn’t ever thought about the fact that some people, not refugees but other immigrants, don’t find what they are seeking and return to their countries. That’s not the story we’re told about the American Dream. I appreciated the view that America isn’t the end of people’s stories in this book.

Adiche, describing Ifemelu’s discovery of Obinze’s favorite books in her local library in Philadelphia, writes, “how could a string of words make a person ache for a place he did not know?” Of course, I recognized that feeling. If you do too, you will find that familiar, pleasant ache in Americanah. The thing is you might also ache for a place you do know — America. But right now, I can’t think of a better way to do that than to read fiction.

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I was adrift without a book to read on election day and after, having finished up reading a novel for Kirkus, and picked up Jane Gardam because she is wonderful, and because at times of turmoil, there is nothing like a new (to me) novel by a favorite author.

Gardam didn’t disappoint. Bilgewater, like God on the Rocks, Crusoe’s Daughter, and A Long Way from Verona, features a young female protagonist. In this case, Marigold Green, is in her final year of school, and lives with her widower father in St. Wilfrid’s school for boys (who nickname her Bilgewater), with their formidable matron Paula in the north of England.

Marigold says, “I never felt that Paula found me very important though. Far from it. She never had favourites. There is a great sense of inevocable justice about her and although one had the sensation that her devotions and emotions ran deep and true you never found her ready to discuss them–not the loving emotions anyway. . . . For me she had from the start a steady unshakeable concern that wrapped me round like a coat. . . . But she has never tried to mother me. She’s not a soft woman, Paula. She cannot stand slop of any kind and again and again she says– it’s her dictum, her law unquestionable– BEWARE OF SELF PITY.”

And so Marigold attempts to live by Paula’s dictum through awkward adolescence and preparation for Oxbridge entrance exams, and a crush, and a friend who disappoints her, and a lot of emotional disarray. At one point the awful friend tells Paula that Marigold is “mad.” Paula retorts, “Marigold’s not mad. That’s one thing certain . . . . She sees clear and pure and sometimes it’s a bit more than she nor anybody can bear.”

Gardam is a master of this kind of thing — a couple of sentences that not only capture something essential in the human experience, but are also achingly lovely. I come away from every Gardam novel wanting to be friends with her characters, and with her, and to write like her, or just to write half as well as she does.

If you’re looking for something real and true and beautiful (and yes, good fiction should be all of those things) to read these days, you cannot go wrong with any of Gardam’s work, and Bilgewater would be a wonderful place to start.

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I order fiction at my academic library, and I like to order novels whose characters work in fields our students are studying. That is why Paradise Lodge caught my eye. Lizzie, the book’s heroine, becomes an “auxiliary nurse” at a nursing home in a former grand home in England in the 1970’s, because she wants to earn money and because a classmate is going to apply and she tags along. Lizzie soon learns that she likes working more than she likes school. Her mother wants her to study for her “O” levels, but she is drawn into the life of Paradise Lodge as it faces a crisis. The owner’s wife has gone to run a rival facility, and lures staff and potential patients away.

Stibbe peoples her novel with interesting characters — Lizzie’s free-spirited mother, a smart nurse manager, Sister Saleem, who is recruited to rescue Paradise Lodge, Matron, who may have had a tough life or may be a pathological liar (or both), the elderly residents. The story is a coming of age tale, following the ups and downs of fifteen year old Lizzie as she navigates her concerns for her family, a crush on her friend’s boyfriend, and her indecision about her future. It’s also a humorous examination of human nature, one that reminds me of Charles Dickens and Jane Austen and Margaret Drabble. Both the characters and the emotional tenor of the story seem spot on.

An altogether satisfying read. I hope it will be adapted to for film or television.

 

 

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I don’t usually write about sequels but I love this series. Maisie Dobbs, “Psychologist & Investigator,” is one of my favorite characters. Journey to Munich seems to be a transitional story — when we last met Maisie, she was trying to escape the pain of losing her husband and child. In this book, she is still mourning but has resolved to make her life in London and Chelstone again. Circumstances at home and abroad lead her to Germany, however, at the behest of her former mentor Maurice’s old friends in the British secret services.

Maisie takes on the assignment somewhat reluctantly, and while in Munich she begins to exercise her former skills as an investigator. In an effort to put the past behind her she agrees to a side project, locating the spoiled Elaine Otterburn and urging her to return home. And she meets an American operative, Mark Scott, whose assistance proves invaluable to her as she locates the man she was sent to bring home, a businessman and “boffin” whose engineering ideas are valuable enough that the British government has negotiated with the Nazis for his release from Dachau, where he is being held for allegedly supporting a subversive underground newspaper.

By the end of Journey to Munich it’s clear that Maisie is ready to re-enter her former profession, one she had been willing to give up when she married James Compton, and even better, it’s clear that her former associates, Billy and Sandra, will be working with her again. Other than Maisie’s old friend Priscilla, and the gentlemen from the secret services, Robert MacFarlane and Brian Huntley, few of the wonderful supporting characters from the previous books appeared in Journey to Munich, although we met a couple new ones, including Mark Scott.  I am hoping very much that Winspear is at work on the thirteenth book in the series, because I look forward to seeing what Maisie gets up to next.

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